Cirrus@Austlit

'Bernadette hasn’t been home to Geraldton for a while. Her siblings are mad as cut snakes, the oldies are worse – even a simple conversation ends up a cyclone of screaming. But Nan’s leaving the world, and this mixed-up family returns to the roost; a brother living a big lie, a daughter swimming in little lies, and a mum who can’t tell the truth to save herself. Are they cursed? Or can they change the way they see themselves, and how the world sees them?'

Source: Publisher's blurb.

'To win, you just need to believe in the rules. And Tessa loves to win, even when defending clients accused of sexual assault. Her court-ordained duty trumps her feminism. But when she finds herself on the other side of the bar, Tessa is forced into the shadows of doubt she’s so ruthlessly cast over other women.

'Winner of the 2018 Griffin Award, Prima Facie is an indictment of the Australian legal system’s failure to provide reliable pathways to justice for women in rape, sexual assault or harassment cases. It’s a work of fiction, but one that could have been ripped from the headlines of any paper, any day of the week, so common you could cry.

'Turning Sydney’s courts of law into a different kind of stage, Suzie Miller’s (Sunset Strip, Caress/Ache) taut, rapid-fire and gripping one-woman show exposes the shortcomings of a patriarchal justice system where it’s her word against his.

'Maybe we need a new system.'

Source: Griffin Theatre Company.

'A great Australian novel. A landmark theatre event. A portrait of Sydney as it once was.

'The world premieres of The Harp in the South: Part One and The Harp in the South: Part Two are designed to be enjoyed as one unforgettable, epic theatrical experience.

'This major new work is one of the most ambitious productions STC has ever created. Celebrated playwright Kate Mulvany has adapted novelist Ruth Park’s revered Australian trilogy – Missus, The Harp in the South and Poor Man’s Orange – and spread these beloved stories across two equally ambitious plays.

'The two parts stand alone, but together they offer over five hours of monumental, exuberant theatre. It’s a moving family saga and a celebration of Sydney in all its funny, gritty glory.'

Source: Publisher's blurb.

A knitted dinosaur must completely unravel itself to save the love of its life.