Cirrus@Austlit

'Kate Grenville's The Secret River (2005) enacts a narrative return to the violent trauma of Aboriginal dispossession and destruction upon which Australia is founded, situating its reader complexly, as both witness to and complicit in the events it retells. Her use of fiction to represent this trauma made Grenville the focus of heated public debate about the role of fiction in representing the past, a debate that repeatedly cast her project as historically dubious. However, rather than approaching the novel as a corrupted form of history's reconstruction of past events, it seems more useful to situate this text as an act of memory in the present, which shapes both past and future. Even as it represents the past, Grenville's novel addresses a present both deeply divided and in danger of forgetting its history. It uses the affective power of fiction to reinscribe and reactivate Aboriginal Australian history in the contemporary historical imaginary.' (Author's abstract)