Abstract
'The critical acclaim enjoyed by such recent Australian graphic novels as Shaun Tan's
The Arrival (2006) and Nicki Greenberg's adaptation of The Great Gatsby (2007)
suggested that Australia had finally 'caught up' with the United States and Britain,
by embracing the graphic novel as a legitimate creative medium, on a par with literature
and cinema. The media interest generated by a succession of Australian graphic
novels during recent years often implied that their very existence was a relatively new
phenomenon. Accepting this premise without question, however, overlooks the evolution
of the graphic novel in Australia, early examples of which - such as Syd Nicholls'
Middy Malone: A Book Pirates (1941) - date back to the 1940s. Documenting how
historical changes in the production and dissemination of graphic novels in Australia
have influenced their critical and popular reception therefore creates new opportunities
to explore a largely overlooked facet of Australian print culture. Furthermore, the study
of the graphic novel in an exclusively Australian context provides a new perspective for
re-examining the origins, definitions and, indeed, the limitations of the term 'graphic
novel', and extends the parameters of the academic literature devoted to the medium
beyond the traditionally dominant Anglo-American focus.' (Author's abstract)
