y separately published work icon Literature and Aesthetics periodical issue   peer reviewed assertion
Issue Details: First known date: 2009... vol. 19 no. 2 December 2009 of Literature and Aesthetics est. 1991 Literature and Aesthetics
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Contents

* Contents derived from the , 2009 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Forms of Death in Philip Pullman's His Dark Materials, Ursula Le Guin's Earthsea, and Garth Nix's Old Kingdom Novels, Alice Mills , single work criticism

'As soon as fantasy writers make factual statements about the nature of their fictional worlds, limits come into play. If this is a world ruled by one omnipotent deity, it is going to be tricky to introduce the Greek gods later on; if magic works by a certain set of rules, it cannot work by conflicting rules without the need for justification; if ghosts exist, some explanation will be required when the narrator asserts that no-one comes back from the dead. This paper explores and evaluates ways in which three contemporary fantasy writers set up and dissolve such limits with regard to the after life. Each of these writers has produced an extended, multi-volume fantasy opus amply establishing rules and limits for its fictional world or worlds: Ursula Le Guin in her six-volume Earthsea series, Philip Pullman in his trilogy, His Dark Materials, and Garth Nix in his Old Kingdom series of novels (four volumes to date). Each of these writers sets up what I shall term a ‘first death’ and a ‘second death’; the second death is presented in their fictions as a final stage of being while the first death, although it may initially seem permanent, turns out to be transitional. Each of these fictions ultimately dissolves the limits that seem to have been set up in the first death, but their strategies of release are arguably not always as liberatory as claimed.' (Introduction)

(p. 92-104)
Love, Pain and Redemption in the Music of Nick Cave, Roland Boer , single work criticism (p. 159-168)
Nick Cave : A Journey from an Anglican God to the Creative Christ, Zoe Alderton , single work criticism (p. 169-186)
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