Issue Details: First known date: 2011... 2011 The Splintered Glass : Facets of Trauma in the Post-Colony and Beyond
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the Amsterdam,
c
Netherlands,
c
Western Europe, Europe,
:
New York (City), New York (State),
c
United States of America (USA),
c
Americas,
:
Rodopi , 2011 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Passion to Pasyon : Playing Militarism, Merlinda Bobis , single work criticism (p. 57-80)
Personal Trauma/Historical Trauma in Tim Winton's Dirt Music, Barbara Arizti Martin , single work criticism
Barbara Arizti looks at the way aspects of trauma are represented in Tim Winton's Dirty Music .
(p. 175-189)
"Twisted Ghosts" : Settler Envy and Historical Resolution in Andrew McGahan's The White Earth, Marc Delrez , single work criticism (p. 191-204)
The Trauma of Immigration and the Ethics of Self-Positioning in Richard Flanagan's The Sound of One Hand Clapping, Heinz Antor , single work criticism (p. 205-220)
Inside Out in the Land Down Under : Reading Trauma through Janette Turner Hospital's Oyster, Isabel Fraile , single work criticism
Isabel Fraile claims that 'While a thoroughly enjoyable and gripping experience, reading Janette Turner Hospital's Oyster (1996) often manages to feel, at the same time, like reading a handbook of trauma theory.' (p 221)
(p. 221-243)
X