y separately published work icon Overland periodical issue   peer reviewed assertion
Issue Details: First known date: 2010... no. 199 Winter 2010 of Overland est. 1954 Overland
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Contents

* Contents derived from the , 2010 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Driven to Distraction, Cate Kennedy , single work essay
Cate Kennedy comments on the internet and the writing life.
(p. 4-8)
Untitled, Pamela Brown , single work review
— Review of Villain Justin Clemens , 2009 selected work poetry ;
(p. 9)
The March of the Insider, Sean Scalmer , Jackie Dickenson , single work criticism

'Paul Kelly is the ultimate insider: editor, journalist, historian, and commentator'. Scalmer and Dickenson investigate Kelly's roles and attempt to explain his relentless rise and what this story tells about politics and letters in contemporary Australia' (18)

(p. 18-26)
Some of the Finest Films, Thomas Caldwell , single work criticism
Thomas Caldwell defends Australian cinema.
(p. 36-41)
Untitled, Pamela Brown , single work review
— Review of Views of the Hudson : A New York Book of Psalms Angela Gardner , 2009 selected work poetry ;
(p. 41)
Networked Communities, Keri Glastonbury , single work criticism (p. 42-44)
Forest Hilli"tall/pondering a nose scratch", Derek Motion , single work poetry (p. 45-46)
Lyrebirdi"Ned Kelly as landscape - Sid Nolan's idea", Duncan Hose , single work poetry (p. 48)
Waiting for the Green Bird, Carmel Bird , single work short story (p. 57-62)
The Pirate Code, Emmett Stinson , single work criticism (p. 63-70)
Southwesti"Let's go down to Scottsdale and look", Duncan Hose , single work poetry (p. 77)
The Forest and its Undergrowth, John McLaren , single work criticism
John McLaren writes on the ordering of Australian literature in The Macquarie PEN Anthology of Australian Literature and the statement this makes about the place of Aboriginal writing within it.
(p. 80-85)
Beckett & Son, A. S. Patrić , single work short story

'Devon was at home with his father when it happened, his father’s heart attack. They were having breakfast and then Roland’s eyes blinked and blinked as his mouth opened wide. He tumbled as he tried to find a hold on the kitchen bench. He hit the ground but he still looked as if he were falling on down through the floor. He lay with his back to the tiles, mouth open, working with soundless air. His legs moved spastically and his arms reached out for something as if still falling. They looked at each other in that moment with every­thing that was part of the complicated sum of Devon plus Roland Beckett.'  (Introduction)

(p. 86-94)
There's a Bomb on This Train of Thoughti"Loaded with raw materials: colons, commas,", Cameron Fuller , single work poetry (p. 95)
Brush Turkey'si"powerful claw", Sue Watson , single work poetry (p. 96)
Valley Gutteri"His rust-wrecked roof with a hole", John K. Murphy , single work poetry (p. 96)
Resurrection Plants at Nookaminnie Rocki"They're full-blown in their early spring", John Kinsella , single work poetry (p. 97)
Gerry Gee / Ron Blasketti"It's unlucky to hang a portrait upsidedown:", TT. O , single work poetry (p. 98-99)
Salti"He steps out onto the dry, white lakebed.", Adam Ford , single work poetry (p. 100)
The Man Who Shot Lionsi"We didn't know that about him then", Josephine Rowe , single work poetry (p. 100)
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