y separately published work icon Imagined Australia : Reflections around the Reciprocal Construction of Identity between Australia and Europe anthology   criticism  
Issue Details: First known date: 2009... 2009 Imagined Australia : Reflections around the Reciprocal Construction of Identity between Australia and Europe
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Contents

* Contents derived from the Berne,
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Switzerland,
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Western Europe, Europe,: New York (City), New York (State),
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United States of America (USA),
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Americas,:Peter Lang , 2009 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Dying to Come to Australia : Asylum Seekers, Tourists and Death, Jon Stratton , single work criticism (p. 57-87)
Settler Colonialism and the Formation of Australian National Identity : Praed's 'Bunyip' and Pedley's 'Dot and the Kangaroo', Christa Knellwolf King , single work criticism
'This essay discusses stories that performed the task of defining the identity of the white settler community at the turn of twentieth-century Australia. It concentrates on two late nineteenth-century narratives, Rosa Praed's short story 'The Bunyip' (1891) and Ethel C. Pedley's children's book Dot and the Kangaroo (1898) which, in different ways, utilise the mystery and danger of the Australian outback as building blocks for representing experiences that were supposedly familiar to all Australians. These two stories describe their white characters' responses to Aboriginal legends and rituals as seminal moments in their personal growth, implying that first-hand knowledge of Aboriginal traditions was an essential element in the collective experience of Australian settlers.' (p. 109)
 (p. 107-121)
Australian Landscape as the Language of a New Identity, Roberta Falcone , single work criticism
'The aim of this paper is to highlight the reasons of the transformation of what is called the ‘Anglo-Australian identity’ through the analysis of films, poetry and plays. Such an hyphenated identity allows the dominance of the ethnic, hybrid group who believes itself to represent the authenticity of the inhabitants of that place.' (pp. 123-124)
 (p. 123-136)
'"Heaven on Earth" Was a Hell in Reality' : Reflections on William Lane's 'New Australia' in Britain, Antony Taylor , single work criticism
'In 1893 one hundred and ninety-nine reformers and bohemians left Sydney in the ship he Royal Tar to establish an ideal community in Paraguay... This chapter scrutinises the origins of the colony and locates its history within the recent literature on a 'British World'.' (171, 172)
 (p. 171-184)
Mamboing Matilda : Surf-lifestyle T-shirts and Representations of Australian Cultural Identity, Federico Boni , single work criticism
This chapter explores how the many dimensions of Australian national identity, ‘so strongly rooted in the popular culture and representations of a country, function as a set of several signifiers for the narratives of Australianness and for the meanings of ‘being Australian’(Elder 2007)’. It also explores ‘the way an Australian surf lifestyle brand, Mambo, conveys images and representations of Australianness…’ (202)
 (p. 201-213)
Italy and the Transformation of the Traveller in Robert Dessaix's Night Letters, Roberta Trape , single work criticism
This article focuses on 'the representation of Italy in Robert Dessaix's Night Letters (1996.)Trape states that the novel 'adds to a considerable corpus of texts by Australian writers, which are based on their travel experiences' and that Night Letters presents a process of self-knowledge and self-discovery, which unfolds through the discovery of the country.' (216)
 (p. 215-231)
Looking for/at Australia : Roots and Repulsion in Contemporary Australian Women's Writing, Marilena Parlati , single work criticism
'No matter how seriously attacked and deranged, identity remains a keyword for contemporaneity. Political agendas and propagandas are packed full with claims and calls for new or old senses of belonging; nations and narrations abound with discourses focussed upon finding ro recuperating personal and collective memories, which might thus safeguard one's dreamy rootedness and secure location in the world. And yet, within these manifestoes lie dispersed and abjected bodies, weak and nomadic subjects which crowd the bitter arena of contemporary philosophical reflections as well as political praxis and 'vernacular' reality (CF. Kreisteva 1982; Vattimo 1999; Butler 1990, 1993; de Lauretis 1990; Bugliese 2007c) Ethnicity is another term one often encounters in the public as well as private spheres, especially in the Anglophone context. It has replaced the previous race markers in general as well as in critical parlance. And yet, it is a term which seems to be still deeply dangerous in its constructing borders of inclusion and exclusion in/out of any given community. In this view, (visible) ethnics exist insofar as they are recognized (and recognize themselves) as such in vertiginous and self-perpetuating but distorted mirror scene. What is obliterated in such positions is the obvious fact that every human being is ethnically located; of course, the term is a useful tool in the hands of mainstream, powerful groups often advocating multi-forms of marginalization (cf Knippling 1996; Yoshino 1999).' (p251)
 (p. 251-263)
Who's a Weird Mob? Imagining Assimilation in Postwar Australia, Maggie Nolan , single work criticism (p. 265-276)
Images of Australia in Tirra Lirra by the River by Jessica Anderson, C. Bruna Mancini , single work criticism (p. 293-301)
Perceiving Europe and Australia and Constructing an Imagined Australian Identity in The Aunts’ Story by Patrick White., Elena Ungari , single work criticism
'This paper examines Patrick White's novel The Aunt's Story and the way in which it fictionally shows mutual scrutiny and perception between Australia and Europe. Central to the elaboration of this study is the notion of fictional viewpoint, which Leech and Short (1986, p 174) define as 'the slanting of the fictional world towards reality, as apprehended by a particular participant, or set of participants, in the fiction'. Notions of distance of viewpoint from an 'outside' or 'inside' perspective and the way in which they affect construction and perception of places are also instrumental in this analysis.' (353)
 (p. 353-366)
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