y separately published work icon Philament periodical issue   peer reviewed assertion
Alternative title: Hauntings
Issue Details: First known date: 2008... no. 13 December 2008 of Philament est. 2003- Philament
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the , 2008 version. Please note that other versions/publications may contain different contents. See the Publication Details.
'An Entangled Kind of Haunting' : Judith Wright and Uncanny Australia, Toby Davidson , single work criticism
'Ken Gelder and Jane Jacobs' Uncanny Australia (1998), along with Judith Wright's poetry, analyses and responds to the Australian ghost story. Wright does this through poeticised connections of land, history and family and Gelder-Jacobs through postcolonial criticism. This paper investigates how a combined reading of the two can offer new insights into Australian ghost stories and the poetics of haunting' (Philament editors: Bernadette Cantrall, Dreu Harrison and James McLeod).

(p. 1-19)
(In)visiblei"Lines erased, less than", Michelle Cahill , single work poetry (p. 100)
Childhoodi"The afternoon cruises", Michelle Cahill , single work poetry (p. 101)
Happy Talk, L. S. Dickens , single work short story
'On a cold winter's night in the South Pacific, three people on a deserted Tongan resort island embark on a somewhat bitter-sweet mini-expedition through death, desire, and ideas of unambiguously ambiguous identity, leading to a startling finale of magical realism' (Philament contents page).
(p. 107-114)
Posti"[it's ]a[ll ]about the", Josh Dubrau , single work poetry
'The initial idea for "Post" was engendered by the author's computer's bungled attempt to read the subject index of an online copy of the complete writings of Freud. Not being content to let the random remain random, authorial insertions comprise the parts in square brackets which create 'Freudian slips' based on my (mis)readings of the found text' (Philament Contents Page).
(p. 115-116)
Richard Feynman Meets Albert Einstein For Teai"Nerves shake the chalk in my hand", Martin Mantle , single work poetry
'Scientific achievement relies on the work of others, but that reliance is both a blessing and a curse. This poem explores an encounter between two great scientists and how the presence of one haunts the other' (Philmanet contents page).
(p. 122)
Our Debt to Vulcan, Allan McCay , single work short story
'This short story "Our Debt to Vulcan" was inspired by an interest in free will, and the sculpture Vulcan by the artist Eduardo Paolozzi. This sculpture is in the Dean Gallery in Edinburgh and in turn was influenced by the story of the Roman god Vulcan' (Philament contents page).
(p. 123-125)
X