Sprechstimme single work   poetry   "Beauty was never my friend."
Is part of The Double Session Kate Lilley , 2012 sequence poetry
  • Author:agent Kate Lilley http://www.poetrylibrary.edu.au/poets/lilley-kate
Issue Details: First known date: 2006... 2006 Sprechstimme
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All Publication Details

  • Appears in:
    y separately published work icon Snorkel no. 4 October 2006 Z1561877 2006 periodical issue 2006
  • Appears in:
    y separately published work icon Ladylike Kate Lilley , Melissa Hardie , (cover artist), Crawley : UWA Publishing , 2012 Z1865010 2012 selected work poetry (taught in 4 units)

    'The title poem of this collection ('Ladylike') draws on pamphlets associated with the notorious case of the bigamist Mary Carleton, who was executed in 1673, and texts contemporary with it; women from Sigmund Freud's case studies provide the material for the series of poems, 'Round Vienna'; and the sequence 'Cleft' is dedicated to Kate Lilley's mother, Australian literary giant Dorothy Hewett.

    'Throughout this collection, Kate mines the areas of her scholarly specialisation - the early modern period - as well as contemporary popular culture and matches it with some of the twentieth century's enduring interests such as psychoanalysis and Freud.

    'Ladylike is a valuable addition to Australian poetry at large and will be of interest to readers of poetry, early modern history, Freud and early psychoanalysis.' (From the publisher's website.)

    Crawley : UWA Publishing , 2012
    pg. 4
  • Appears in:
    y separately published work icon Contemporary Australian Poetry Martin Langford (editor), Judith Beveridge (editor), Judy Johnson (editor), David Musgrave (editor), Glebe : Puncher and Wattmann , 2016 10524271 2016 anthology poetry

    'The quality of Australian poetry has never been higher, nor the number of distinctive voices greater. A landmark publication, this collection presents the astonishing achievements of Australian poetry during the last quarter of a century. Over ten years in preparation, gathering over 200 poets and 500 poems, it makes the case for this country's poetry as a broadening of the universal set for all English-speakers. 'Somewhat astonishingly,' the introduction notes, 'and while no-one was looking, Australian poetry has developed a momentum and a critical mass such that it has become one more luminous field in the English-speaking imagination. Increasingly, anyone who seeks to explore the perspectives or music available in English will also have to consider the perspectives and music which have originated here - Australia having turned itself, too, into a place in the mind.' Both survey and critical review, this anthology offers a rare opportunity to explore the major national achievement of contemporary Australian poetry. (Publication summary)'

    Glebe : Puncher and Wattmann , 2016
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