y separately published work icon Le Simplegadi periodical issue   peer reviewed assertion
Alternative title: Partnership Tapestries
Issue Details: First known date: 2007... no. 5 November 2007 of Le Simplegadi est. 2003 Le Simplegadi
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Contents

* Contents derived from the , 2007 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Bernard Hickey, Veronica Brady , single work biography (p. 39-40)
Bernard Hickey R.I.P., Peter Byrne , single work biography (p. 40-41)
Vale Bernard Hickey : Our Man in Venice, Laurie Hergenhan , single work biography (p. 42-43)
Il Mio Stargate per l'Australia, Aldo Magagnino , single work biography (p. 44-47)
Untitled, Clelia March , single work correspondence (p. 47)
Ozlit's Gentle Ambassador in Italy, Brian Matthews , single work column
'Bernard Hickey devoted his life to the cause of Australian literature and Australian culture in Europe, often at the cost of great personal sacrifice. He was known, loved and profoundly respected wherever Australian writing and literary culture were studied.' -- From the online text of Eureka Street, vol.17 no.16.
 (p. 48-49)
Note: With title: 15 August 2007
Bernardi"On the platform you", Ffion Murphy , single work poetry (p. 49-51)
Last Timei"Window-shutters were open to April sun,", Tom Petsinis , single work poetry (p. 51)
Letter to Bernard Hickey, Antonella Riem Natale , single work correspondence (p. 52-53)
Untitledi"And that enquiring man", Charles Sarvan , single work poetry (p. 53)
Lady Effie's Teapot : Bernard Hickey and the Battle of the Plate, Diego Simini , single work prose (p. 54)
Songi"Lost if I steer", Chris Wallace-Crabbe , single work poetry (p. 55)
Borders, Identity and the Question of Australia., Veronica Brady , single work criticism
'In this article I examine two recent works, The White Earth by Andrew Mc Gahan and The Secret River by Kate Grenville. The first explores the current preoccupation with borders, both external and internal, and the second is looking to move across them. A border can have both negative and positive connotations; as a mark of separation or, if used as a verb, the action of approaching or verging on another culture or environment. In Australia it has usually been defined negatively as an expression and focus of anxiety about invasion from outside but also of subversion from within. These assumptions can be explored through fiction, to the extent that it provides access to the unconscious, to what is otherwise unspoken and often unspeakable.' -- Author's abstract.
 (p. 56-61)
Practices of Proximity: Intersubjective Relations in the Australian Literary Contact Zone., Katherine Russo , single work criticism
'Drawing on recent Australian studies of "intersubjectivity" and "whiteness", this article offers insights into the ongoing debate on Indigenous/non-Indigenous literary collaborations. Through the combination of these theories, the Australian literary contact zone is unveiled as a space where writers, readers, editors and critics are always intersubjectively, although often not reciprocally, influenced. Hence, this article hopes to offer a terrain for discussing issues of sovereignty, difference and subject positioning.' -- Author's abstract.
 (p. 79-89)
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