Revusical.
Described in advertising as a 'bright, sparkling, fresh and surprisingly original musical travesty, presented by sixteen superbly versatile artists' (Truth 9 April 1916, p.7) and as a 'breezy new revue bombarding audiences with happiness' (Brisbane Courier 12 April 1918, p.2), the action revolves around three tramps: Ike (Bert Le Blanc), Morris (Jake Mack), and Pete (aka Sacramento Pete). The title refers to the town of Watts, situated somewhere near Los Angeles, California, which was 'founded by a gentleman of that name who let his dwellings for a dollar down and a dollar a month fifteen years before the story commences. The plot deals with the efforts of several different varieties of rogue, male and female, Jew and Gentile, to impersonate Watts, who has disappeared, and collect the fifteen years' rental' (Age 23 September 1918, p.5). Much of the action takes place in the town's hotel, with other characters including Hazey Fogg, a local farm girl with aspirations to enter society; Mrs Watts; and Eazey, a farm hand. Although generally well received by the critics, the September 1918 Age review proposes that the production was slightly marred by a somewhat unconvincing ending.
The September 1918 Bijou Theatre season (Melbourne), in which Le Blanc, Mack, and Harry McDonna were billed as 'Melbourne Ike', 'Sydney Morris', and 'Brisbane Pete', included such msucial items as 'I Want You Dearie' (Queenie Paul and Wee McGregor) and 'Mate O' Mine' (Leslie Jephcott).
One of the songs incorporated into the 1919 Brisbane season was 'Wouldn't that be a Dream?'
In Watts is based on The Grafters, a burlesque originally staged in Australia by the American Burlesque Company when it toured the country in 1913 and 1914. One of the trio of principal comedians in that troupe was Bert Le Blanc. The connection between the two shows was noted in Australian Variety as early as 23 February 1916, although the critic indicates that both productions were called In Watts. An Age critic writing two years later records, however:
'In Watts, the [company's] current piece, bore a striking family resemblance to The Grafters - one of several American burlesques which have certainly done steady service on the Australian stage. The audience enjoyed the production all the more because it renewed comic memories' (23 September 1918, p.5).
For further details, see American Burlesque Company.
1916: Victoria Theatre, Newcastle, 19-25 February.
1916: Empire Theatre, Brisbane, 8-14 April.
1917: Majestic Theatre, Sydney, 30 June - 6 July.
1918: Empire Theatre, Brisbane, 12-18 January
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1918: Bijou Theatre, Melbourne, 21 September - 4 October (two-week season).
the company's forthcoming engagement in Brisbane (beginning 2 November).
1919: Empire Theatre, Brisbane, 11-17 January.