image of person or book cover 6709294702690393531.jpg
Cover image courtesy of publisher.
y separately published work icon The Dolls' Revolution : Australian Theatre and Cultural Imagination selected work   criticism  
Issue Details: First known date: 2005... 2005 The Dolls' Revolution : Australian Theatre and Cultural Imagination
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the Melbourne, Victoria,:Australian Scholarly Publishing , 2005 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Dolls, Revolution and Australian Theatre, Rachel Fensham , Denise Varney , single work criticism
Introduction to the selected work The Doll's Revolution : Australian Theatre and Cultural Imagination.
 (p. 1-63)
The Poetic Revolution, Rachel Fensham , Denise Varney , single work criticism
'Jenny Kemp's theatre is less about a political revolution in which the writer takes up arms against gender inequality and political injustice and more about a political revolution in which expanded conditions of possibility for the psyche, particularly for women, are the key to cultural transformation.' (p.64)
 (p. 64-108)
Modern Dolls, Global Spin: Joanna Murray-Smith, Rachel Fensham , Denise Varney , single work criticism
'This chapter positions Murray-Smith and her fascination with the modulations between language, truth and reality as a global playwright of modern drama...' (p.114)
 (p. 109-156)
Pockets of Rebellion : Katherine Thomson, Rachel Fensham , Denise Varney , single work criticism

'This chapter focuses on Katherine Thomson as a playwright who utilises the conventions of social realism and naturalism to write plays that dramatise the effects of social and economic change on the lives of fictional but realistically-based characters.' (p.158)

 (p. 157-198)
A Compelling Force : Indigenous Women Playwrights, Maryrose Casey , single work criticism (p. 199-237)
Violating the Past : Beatrix Christian, Laura Ginters , single work criticism (p. 238-284)
Redistribution of Power : Hannie Rayson, Rachel Fensham , Denise Varney , single work criticism
'...discusses Rayson's participation in and contributuion to ... the turning of the wheel that would make women the key players on the Australian stage.' (p.285)
 (p. 285-328)
Conclusion: Post Revolutionary Australian Theatre, Rachel Fensham , Denise Varney , single work criticism (p. 329-338)
X