y separately published work icon Australasian Drama Studies periodical issue   peer reviewed assertion
Alternative title: ADS
Issue Details: First known date: 2004... no. 45 October 2004 of Australasian Drama Studies est. 1982 Australasian Drama Studies
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the , 2004 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Australian Music Theatre : Continuity and Hybridity, Keith Gallasch , Laura Ginters , single work criticism (p. 3-9)
'A Comfortable Society' : The 1950s and Opera in Australia, Michael Halliwell , single work criticism (p. 10-29)
Larry Sitsky's 'The Golem' : The Esoteric Opera, Antony Ernst , single work criticism (p. 30-42)
Matricide and the Female Divine, Helen Rusak , single work criticism
The paper examines the collaboration between the librettist Kathleen Mary Fallon and composer Elena Kats-Chernin that resulted in a ninety-minute music theatre work Matricide - the Musical, staged in 1998 by Melbourne's Chamber Made opera.
(p. 43-71)
Operatic Tradition and Ambivalence in Chamber Made Opera's Recital, Jonathan Marshall , single work criticism (p. 73-96)
Mata Hari and the Missionary Position : Australian Double Agents in the Seduction of Randai, Doug Leonard , Indija N. Mahjoeddin , Adrian Sherriff , single work criticism (p. 119-136)
'Australian-ness' in Musical Theatre : A Bran Nue Dae for Australia?, Peter Wyllie Johnston , single work criticism (p. 157-179)
Untitled, Helena Grehan , single work review
— Review of Playing Australia : Australian Theatre and the International Stage 2003 anthology criticism ;
(p. 198-201)
X