y separately published work icon Kunapipi periodical issue   peer reviewed assertion
Issue Details: First known date: 2003... vol. 25 no. 2 2003 of Kunapipi est. 1979 Kunapipi
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Contents

* Contents derived from the , 2003 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Tracei"and so the life you live forever in your mind", Gerry Turcotte , single work poetry (p. 138)
Note: Accompanied by photograph on p.139
Scarsi"every job leaves its mark on you. some are just", Gerry Turcotte , single work poetry (p. 140)
Note: Accompanied by photograph on p.141
The Skeleton as Palimpsesti"you peel me open like a grape", Gerry Turcotte , single work poetry (p. 142)
Note: Accompanied by photograph on p.143
Colonialism, Nationalism, Modernism, Stephen Cowden , single work criticism
Instead of seeing Such is Life in the traditional terms of a celebratory nationalist narrative, Stephen Cowden seeks to locate it within the historical social conflicts of its time. As these issues are still very much alive today, he believes that a re-reading of the novel in this sense assist a greater understanding of the social contours through which Australian identity has been developed.
 (p. 144-158)
In Conversation with David Milroy, Ernie Blackmore (interviewer), single work interview

David Milroy discusses the development of 'Indigenous theatre' in Australia, seeing a current tendency to 'catch up' theatre, re-writing history from the Indigenous people's point of view. He sees the Yirra Yaakin company as setting the stage for a new understanding of Indigenous theatre, unshackled by the expectations of the past.

 (p. 159-171)
Sarung Slippages and Hybrid Manoeuvres, Jacqueline Lo , single work essay
Lo is concerned about what she sees as 'happy' or uncritical hybridity in Australian society, concluding that 'What's needed is a more critical way of looking at how the discourse of hybridity is articulated and mobilised as a critical strategy so that issues of power inequities are not overlooked and more care is taken to understand what is lost, as much as what is gained, in the process of crossing cultures.'
 (p. 172-177)
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