y separately published work icon Australasian Drama Studies periodical issue   peer reviewed assertion
Alternative title: ADS
Issue Details: First known date: 2000... no. 37 October 2000 of Australasian Drama Studies est. 1982 Australasian Drama Studies
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Contents

* Contents derived from the , 2000 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Casting about for the Scent : Researching Aboriginal Performance, Anne Marshall , single work criticism
An overview of the history of researching Aboriginal performance in an academic environment and the problems connected with this task, by one of the guest editors of a special issue of ADS, titled 'Sun Sisters and Lightning Brothers : Australian Aboriginal Performance'.
 (p. 3-13)
7 Valleys of Nurturing : Exploring the Performing Arts Philosophy of Wesley Enoch : A Profile, June Perkins , single work criticism
The article, inspired by Enoch and Mailman's play The 7 Stages of Grieving, 'juxtaposes some of The Seven Valleys of Baha'u'llah with the seven phases of Aboriginal history to explore possible stages of nurturing the Indigenous performing arts of Australia' (18).
 (p. 18-26)
Choosing Good Ground : A Forum Interview with Kooemba Jdarra Artistic Directors Lafe Charleton, Wesley Enoch and Nadine McDonald, Lynne Bradley (interviewer), single work interview (p. 59-67)
Writing Truly, Madly, Country, Adrian Marshall , single work criticism
Discusses the writing of a play 'Truly, Madly, Country' for the Third National Aboriginal and Torres Strait Islander Playwrights Conference in March 2000. Includes the third scene of the text.
 (p. 68-81)
Truly, Madly, Country : A Play in One Act (Scene Three), Adrian Marshall , extract drama (p. 73-81)
From the Wings to Centre Stage : A Production Chronology of Theatre and Drama Texts by Indigenous Australian Writers, Maryrose Casey , single work criticism (p. 85-98)
[Review] Cloudstreet, Peter Fitzpatrick , single work review
— Review of Cloudstreet Nick Enright , Justin Monjo , 1998 single work drama ; (p. 99-101)
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