y separately published work icon Overland periodical issue   peer reviewed assertion
Issue Details: First known date: 1998... no. 150 Autumn 1998 of Overland est. 1954 Overland
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Contents

* Contents derived from the , 1998 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Vietnam Reading, Rowan Cahill , single work essay (p. 11-15)
Anzac Dayi"A certain cast to their features marked", John Forbes , single work poetry (p. 16)
John Forbes 1950-1998, Laurie Duggan , single work obituary (p. 17-18)
Poemi"Dissatisfaction's mawkish force, new stars to pan--", Gig Ryan , single work poetry (p. 18)
Possibilitiesi"Say, are the hills still green, my love,", Bruce Dawe , single work poetry (p. 19)
Not Either/or but Both/Andi"i'm a post-modern woman", Anna Brooks , single work poetry (p. 19)
Cobar and Byrock, NSW Landscape Descriptioni"[First line removed at the request of Coral Hull]", Coral Hull , single work poetry (p. 20)
Principles I Have Known : The Tableland - Patrick's Palace, Gwen Kelly , single work autobiography (p. 21-23)
All Our Sinsi"If I ever", Shen , single work poetry (p. 29)
Aviaryi"Night breaks up with the disembodied hiss", Roger G. McDonald , single work poetry (p. 30)
The Pale Green Radioi"At night I buried", Jill Jones , single work poetry (p. 30)
The Mountaineers, David Forrest , single work short story (p. 31-34)
Swans in Footscrayi"Superbly indifferent to clanking machinery,", Nell Old , single work poetry (p. 36)
The Writer at Bay, Brian Fitzpatrick , single work criticism (p. 37)
Nine O'Clock Finish, John Morrison , single work short story (p. 38-41)
Contrasti"The Rosenbergs, though dead, are strong", Ross Tracie , single work poetry (p. 41)
A Poet Repliesi"You love to play God,", David Martin , single work poetry (p. 41)
Hope to Martini"Dear Martin, you have scored a hit", A. D. Hope , single work poetry (p. 41)
Martin to Hopei"What is your bread of life? Some ectoplasm,", David Martin , single work poetry (p. 41)
Henry Handel Richardson, Nettie Palmer , single work criticism (p. 43)
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