Lisa Stefanoff Lisa Stefanoff i(A94855 works by)
Gender: Female
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Works By

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1 The Australian Government Is Not Listening : Education Justice and Remote Indigenous Futures Lisa Stefanoff , 2020 single work essay
— Appears in: Overland , Summer no. 241 2020; (p. 27-36) 'It's nighttime in the desert, moments before the opening credits of the acclaimed feature documentary In My Blood It Runs. We're in a dusty yard enclosed in cyclone-wire fencing with 10-year-old multi-lingual Arrernte/ Garrwa healer Dujuan Hoosan. He's running joyfully, a firework in one hand. The danger and beauty of marking presence in the darkness with explosive devices is captivating. The hand-held camera tracking his exuberance is enchanted and enchanting. Giggles bubble into the open night.' (Introduction) 
 
1 CAAMA and the Art of Mediating Desert Cultural Survivance Lisa Stefanoff , 2018 single work biography
— Appears in: Kin : An Extraordinary Australian Filmmaking Family 2018;
1 Martu Mediations Keeping VR Real Lisa Stefanoff (interviewer), 2018 single work interview
— Appears in: Axon : Creative Explorations , November vol. 8 no. 2 2018;

'Martu filmmaker and artist Curtis Taylor talks with Lisa Stefanoff about his work in the production and international promotion of Lynette Wallworth’s Virtual Reality Film Collisions, a project that tells the story of his grandfather Nyarri Nyarri Morgan’s experience of the British atomic bomb tests at Maralinga and ongoing care for his country. Curtis reflects on the value of different art and media forms for conveying Martu stories, enduring traditional knowledge and contemporary concerns, and discusses his own cinematic reflections on the powers, risks and roles of new media in Martu communities.'  (Introduction)
1 Making Whites Obsolete Lisa Stefanoff (interviewer), 2006 single work interview
— Appears in: Meanjin , vol. 65 no. 1 2006; (p. 114-121)
1 CAAMA : From the Heart Lisa Stefanoff , 2005 single work review
— Appears in: RealTime , June-July no. 67 2005; (p. 19) A review of A Tribute to CAAMA, screened at the 52nd Sydney Film Festival, State Theatre and Dendy Opera Quays, June 12-16 2005.
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