Robert Wood Robert Wood i(A92753 works by)
Also writes as: R. D. Wood
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Works By

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1 Noble Praise Robert Wood , 2024 single work review
— Appears in: Editor's Desk - 2024 2024;

— Review of Praiseworthy Alexis Wright , 2023 single work novel
1 River’s Flow : A Martuwarra Collaboration Robert Wood , 2024 single work review
— Appears in: Australian Book Review , July no. 466 2024; (p. 45)

— Review of Tossed Up By the Beak of a Cormorant Nandi Chinna , Anne Poelina , 2024 selected work poetry

'In her fifth full-length poetry collection, Tossed up by the Beak of a Cormorant, Nandi Chinna continues to write about her engagement with the natural world. Authored in collaboration with Wagaba Nyikina Warrwa Elder, Anne Poelina, this book sees her move north and west into the Kimberley. This is where the Martuwarra (Fitzroy River) runs through Bunuba, Gooniyandi, Nyikina, Walmajarri, and Wangkatjungka Country. It is a place that poetry readers will recognise from the geographically proximate classic Reading the Country (1984) by Paddy Roe, Stephen Muecke, and Krim Bentarrak, Ngarla Songs (2003) by Alexander Brown and Brian Geytenbeek, and the ethnopoetic George Dyungayan’s Bulu Line (2014), edited by Stuart Cooke. With that in mind, Chinna’s Kimberley is a place that is remote for many readers, but not entirely unknown.' (Introduction)

1 Let’s Concentrate on Feasting Robert Wood , 2023 single work review
— Appears in: Liminal , November 2023;

— Review of Bluey Joe Brumm , Tim Bain , John McGeachin , 2018 series - publisher film/TV

'Without question, the seminal text of our times is Bluey. More than any other cultural product of the last ten years, Bluey binds together the imagined community, highlights the popularity of watch on demand, and reflects and generates the zeitgeist. Its popularity demonstrates this, but that does not account for its ubiquity at the level of discourse and commodity. Bluey is everywhere once you see it. Yet within that reality, we lack a critical consciousness of what Bluey actually means; failing to understand the semiotics of the scooter, the toothpaste, the plush toy in our daily lives let alone how we might unpack the actual animated show from which this stems. For a whole generation of children, their parents and carers, Bluey deserves to be read closely then, if only to help us know more about who we are right here and right now. That starts with acknowledging the suburban reality of where 87% of Australians actually live. Bluey if it lives anywhere lives in that heartland most of all. '  (Introduction)

1 The Leisured Classes Robert Wood , 2022 single work essay
— Appears in: Cordite Poetry Review , 1 December no. 107 2022; Liminal , April 2022;

'My love of the world game and of world literature exist alongside one another. 1994 stands as a remarkable year when I both fell in love with USA ’94, watching Roberto Baggio sky the ball over the cross-bar to lose on penalties, and when I began reading novels on my own. In 1998, I watched France win while visiting family in Singapore, a true testament to adolescence, eating fried kway teow in front of the big screen, watching Frank Leboeuf and Lilian Thuram defend as though their lives depended on it, which they surely did. In that year, I remember with great fondness reading J.M. Coetzee’s Life and Times of Michael K as I began to find my way through contemporary writers who had won ‘Big Prizes’. By 2002, when South Korea and Japan hosted the World Cup, I had started making my way through the classics, from Kharms to Camus to Coleridge. And so, football and reading have always been about leisure to me.'  (Introduction)

1 Peripheral Peripheries Robert Wood , 2022 single work essay
— Appears in: Cordite Poetry Review , 1 December no. 107 2022;

'When you arrive in Singapore, chances are you will arrive at Changi Airport. You could come by the Causeway from Johor Bahru, but chances are that you will fly in, to a clean, quiet, gleaming, glistening, orderly terminal that looks more like a luxury mall than any other airport you have been to, especially LAX. The muzak will lull you, the travelators move you, and the janitors spray and wipe behind you. This is travel that is sanitised, suburban, temperature controlled by sensors and computers. After you pass customs, you will grade their service on a touchscreen and it will tell you to ‘have a nice day’. As you collect your bags, you will not be jostled, not even hurried let alone harangued, and you will begin to glimpse the concrete and green just out of reach, just in the humidity out there outside, all before you step aboard the MRT to take you anywhere in the city state you might desire, sweat-free. The money is made of plastic and there are stewards in case you need guidance, all while being welcomed into an idea of the present that has harbingers in the past and future. Welcome to Singapore.' (Introduction)

1 Iris Fan Xing R. D. Wood (interviewer), 2021 single work interview
— Appears in: Liminal , March 2021;

'Iris spoke to Robert Wood about return and renewal, balance and purpose, and how poetry matters across borders.' 

1 Kim Lateef R. D. Wood (interviewer), 2021 single work interview
— Appears in: Liminal , February 2021;

'Kim spoke to Robert Wood about belonging, belief, and reading.'

1 Kaya Ortiz R. D. Wood , 2021 single work interview
— Appears in: Liminal , February 2021;

'Kaya spoke to Robert Wood about language, heritage, and routes.'

1 James Jiang Robert Wood (interviewer), 2020 single work interview
— Appears in: Liminal , November 2020;
1 Rights and Responsibilities : Literary Journals and Freedom of Expression Robert Wood , 2020 single work essay
— Appears in: Australian Book Review , June-July no. 422 2020; (p. 41)

'A number of recent political events in Australia will have enduring and wide-ranging impacts on freedom of expression in this country. They include the denial of access to archival papers concerning the Whitlam dismissal, which Professor Jenny Hocking detailed in the April 2020 issue of ABR.' (Introduction)

1 The Three Amigos in a Desert That Is Real : A Review of Three Titles from Cordite Publishing Robert Wood , 2019 single work review
— Appears in: Editor's Desk - 2019 2019;

— Review of Flat Exit Broede Carmody , 2017 selected work poetry ; False Fruits Matthew Hall , 2016 selected work poetry ; The Only White Landscape Derek Motion , 2017 selected work poetry
1 Pressure Makes Diamonds : A Review of Philip Hall’s ‘Fume’ Robert Wood , 2019 single work review
— Appears in: Editor's Desk - 2019 2019;

— Review of Fume Phillip Hall , 2018 selected work poetry
1 Camha Pham R. D. Wood , 2019 single work interview
— Appears in: Liminal , September 2019;
An interview with Camha Phan 'about the space in between, fool’s errands, and re-structuring how we think.' 
1 1 y separately published work icon Suburbanism : Poetics Robert Wood , Melbourne : Australian Scholarly Publishing , 2019 17392604 2019 selected work essay

'Suburbanism is a book of twelve essays on contemporary poetry. Robert Wood looks at New York, consumerism, lifestyle, birds, the Western Pilbara, diaspora, theorising, India, republics, malls, and supermarkets. He offers a fresh take on poetry as it relates to the suburbs, encouraging the reader to reflect on meaning in our own time, and to think about the field of New World Literature.'

Source: Publisher's blurb.

1 Elizabeth Tan Robert Wood (interviewer), 2019 single work interview
— Appears in: Liminal , August 2019;
'Elizabeth Tan is a prose writer who teaches at Curtin University. She is interested in science fiction, social reality, and cultural anxieties. Elizabeth is the author of Rubik from Brio Books, and has published in Voiceworks, Westerly, The Lifted Brow, Sleepers, Almanac, Overland, Seizure, Best Australian Stories and Tincture.' (Introduction)
1 Zainab Zahra Syed Robert Wood (interviewer), 2019 single work interview
— Appears in: Liminal , August 2019;
'Zainab Zahra Syed is a performance poet, writer, and educator. In 2015, she was a finalist in the Australian Poetry Slam, and, in 2017, she joined Performing Lines WA as a performing arts producer. We caught up with Zainab to talk about movement, home, belonging, poetry, family, and why we need visionaries for today’s world.'

 (Introduction)

1 Caroline Wood Robert Wood (interviewer), 2019 single work interview
— Appears in: Liminal , August 2019;
'Caroline Wood is the Co-founder and Director of The Centre for Stories. She has degrees in art history and psychology, and, for many years, she worked at The Centre for Water Research at the University of Western Australia. There, she administered projects that improved the quality of the Derbarl Yerrigan, or Swan River, the main freshwater body in the city of Perth. She has also been the President of Amnesty International in Western Australia, a board member of the Small Press Network, and the publisher of Margaret River Press.' (Introduction)
1 Eating the Past, Eating the Future Robert Wood , 2018 single work short story
— Appears in: Stories of Perth 2018;
1 Going Places with A Bird Guide: A Review of Shevaun Cooley’s ‘Homing’ Robert Wood , 2018 single work review
— Appears in: Editor's Desk - 2018 2018;

— Review of Homing Shevaun Cooley , 2016 selected work poetry
1 The Border That Is the Ocean : A Review of Renee Pettitt-Schipp’s ‘The Sky Runs Right Through Us’ Robert Wood , 2018 single work review
— Appears in: Editor's Desk - 2018 2018;

— Review of The Sky Runs Right Through Us Reneé Pettitt-Schipp , 2018 selected work poetry
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