Cirrus@Austlit

The Limestone Plains is the name given by British explorers in the 1820s to the area in the Southern Highlands of New South Wales, where the city of Canberra would later be built. Watered by the Molonglo, a tributary of the Murrumbidgee, and ringed by wooded hills, this area was a significant meeting place of several Aboriginal tribes, whose fire-stick farming practices had shaped its flora and fauna over the millennia. In the nineteenth century, the Canberra area provided a living for pastoralists and selectors, whose activities altered the local ecology and had a devastating impact on Indigenous people. The city that was founded on the Limestone Plains in 1913 in turn displaced this rural way of life, although remnants of pastoralism persisted beyond the urban fringe into the twenty-first century. Canberra's 'bush capital' was conceived as a city in and of the landscape, and it remains a place where town and country interpenetrate to a remarkable degree. As well as providing something of a haven for wildlife, Canberra and its surrounds have also nurtured numerous writers. In this essay, I will investigate the ways in which explorers and settlers construed the Limestone Plains as a locus of pastoral dwelling, before proceeding to consider how some more recent writers have responded to this place in literary form by attending to the more-than-human world that persists both within and beyond the city. (from The Littoral Zone)

'PAN is a journal publishing articles, short prose pieces and poetry exploring the philosophical, psychological, mythological, religious, and aesthetic underpinnings of sustainability thought, design and practice. PAN aims to foster perspectives that depart from conventional understandings of "nature" and "culture" in order to open alternative pathways of thinking and living ethically and creatively at a time of deepening environmental and social crisis.

'PAN seeks in particular to provide a forum for emerging conversations between indigenous and settler cultures around questions of reinhabitation, especially, but not exclusively, in Australia. Aiming to bridge the gap between activism and the academy, PAN is pitched at a general readership with an interest in creating a new ecological culture of sustainability. Each issue includes scholarly articles which have been subject to independent peer review as well as other contributions selected by the editors.' (Editor's statement)