Siobhan O'Brien Siobhan O'Brien i(A85641 works by)
Born: Established: 1971 ;
Gender: Female
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1 y separately published work icon All the Golden Light Siobhan O'Brien , Sydney : HarperCollins Australia , 2024 27253435 2024 single work novel historical fiction

'1918, Belowla, south coast New South Wales. As the Great War grinds to an end, Adelaide Roberts accompanies her father to a rugged island off the south coast of New South Wales to deliver much-needed supplies. While loss and deprivation have decimated the country, Ada is determined to live a life of purpose and hope, and dreams of living independently.

'On the windswept rocky outcrop, she meets lighthouse keeper Emmett Huxley, a dark-eyed outsider haunted by his service in France, taking refuge from the damage of the war. Adelaide and Emmett are inexorably drawn together, but Adelaide discovers plans have been made for her with a decorated returned soldier, Donal Blaxland, a local landowner with a large tobacco plantation.

'When police charges are suddenly brought against the lighthouse keeper, Adelaide is forced to make a choice about her future, and discovers that Donal harbours terrible secrets of his own. She finds herself a prisoner to the trauma and suffering that war has wreaked on the returned soldier.

'As she begins to understand the depths of Donal's desperation, Adelaide knows she must leave - and between the treacherous waters of the coast and the rocky outcrops of an ancient land, Adelaide fights for her survival, determined to live and love on her own terms.

'A moving, uplifting story about love and suffering, trauma and addiction - and hope in the darkest of times.'  (Publication summary)

1 Muddy Fingers Siobhan O'Brien , 2014 single work short story
— Appears in: Voiceworks , Spring no. 98 2014; (p. 61-63)
'The ghosts met at the end of the broken pier. The Council had once paid to have it mended in an attempt to halt the ghost infestation, but the next storm tore it down again. Then the ghosts just took over completely. It wasn't safe there. Not just because the wood was rotting and the ramp sagged. Mostly it was because of the ghosts. They trailed their muddy fingers in the soft blue of the water. They called "coo-ee" to each other across the banks. They gobbled up any creature that wandered too close. Not birds though; they liked birds...'

 (Publication abstract)

1 5 y separately published work icon A Life by Design : The Art and Lives of Florence Broadhurst Siobhan O'Brien , Crows Nest : Allen and Unwin , 2004 Z1158679 2004 single work biography
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