Gillian Wills Gillian Wills i(A83811 works by)
Gender: Female
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Works By

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1 1 y separately published work icon Big Music Gillian Wills , Perth : Hawkeye Publishing , 2024 28264745 2024 single work novel

Given a chance to shine, Beat is promoted to dean of Turalong Music School. But her role is not what it seems. Fine tuning this institution is like playing a cracked violin with broken strings.

She’s determined to revive the school’s reputation despite gender bias, staff conflict, betrayal, a famous composer’s ghost and a predatory university.

'Beat loves the wild mashes of sound: trumpets, electric guitars, flutes and saxophones which blaze all day and night, but she’s barely able to keep the school together let alone her home life on her beloved hobby farm.

'Keen to unify her squabbling colleagues from opposite musical traditions, she puts a fresh spin on programming to show audiences something new: a combined Beethoven and rock festival.

'Music or politics? What will be her magnum opus?'  (Publication summary)

 

1 Dance Review : Terrain Gillian Wills , 2022 single work review
— Appears in: ArtsHub , August 2022;

— Review of Terrain 2012 single work drama

'This award-winning show about the convergence of body, land and spirit returns for its tenth year anniversary.' 

1 Book Review : Red Herrings for Breakfast by Annabet Ousback Gillian Wills , 2021 single work review
— Appears in: ArtsHub , January 2021;

— Review of Red Herrings for Breakfast Annabet Ousback , 2020 single work autobiography

'In this poignant memoir, Ousback and her brother Anders endure a tough, confusing childhood steered by complex, demanding and rather odd parents.'

1 Book Review : Borderline by Sandie Jessamine, Bad Apple Press Gillian Wills , 2021 single work review
— Appears in: ArtsHub , May 2021;

— Review of Borderline Sandie Jessamine , 2021 single work autobiography

'Sandie Jessamine's memoir is an insightful exploration of a devastating and alienating mental illness and a catalogue of the damaging consequences of child incarceration.'

1 Theatre Review : Return to the Dirt, QTC Gillian Wills , 2021 single work review
— Appears in: ArtsHub , November 2021;

— Review of Return to the Dirt Steve Pirie , 2021 single work drama

'A play as much about life as it is about death.'

1 Book Review : The Spill by Imbi Neeme Gillian Wills , 2020 single work review
— Appears in: ArtsHub , June 2020;

— Review of The Spill Imbi Neeme , 2020 single work novel

'A car accident on a sunny day in remote Western Australia has lifelong repercussions.' 

1 Book Review : A New Name for the Colour Blue by Annette Marner Gillian Wills , 2020 single work review
— Appears in: ArtsHub , August 2020;

— Review of A New Name for the Colour Blue Annette Marner , 2013 single work novel

'In this poignant read, Annette Marner deserves credit for her honest analyses of the trauma inflicted by domestic violence.'

1 Book Review: Poly by Paul Dalgarno Gillian Wills , 2020 single work review
— Appears in: ArtsHub , October 2020;

— Review of Poly Paul Dalgarno , 2020 single work novel

'In a post Fifty Shades of Grey world, Poly is another story with sex at its heart.'

1 The Australian Musical from the Beginning by Peter Pinne and Peter Wyllie Johnston Gillian Wills , 2020 single work review
— Appears in: Australian Book Review , March no. 419 2020; (p. 67)

— Review of The Australian Musical : From the Beginning Peter Pinne , Peter Wyllie Johnston , 2019 multi chapter work criticism
'What is the musical’s appeal? Performing arts venues in Australia’s capital cities stage them year after year; a lucrative box office seems to be virtually guaranteed. The feel-good mix of song, melodrama, and vibrant dance – not forgetting the bonus of a happy ending – can lift the spirits and entertain the entire family. Recently, Chicago (Melbourne, Brisbane), West Side Story, and Billy Elliot (Adelaide) secured packed houses.' (Introduction)
1 For the Love of a Horse Gillian Wills , 2015 single work review
— Appears in: The Courier-Mail , 10 November 2015; (p. 46)

— Review of Elvis and Me Gillian Wills , 2015 single work autobiography
1 2 y separately published work icon Elvis and Me Gillian Wills , Sydney : Finch , 2015 8704534 2015 single work autobiography

'A world-weary musician and a broken racehorse rescue each other in this inspirational memoir about second chances. At 56 years of age, Gillian Wills bought her first horse on a whim. Elvis was emaciated, scarred, unruly, saddle-phobic and imbued with attitude. However, she sensed in him the remnants of a fierce pride that resonated with her own almost-lost sense of self-worth, depleted after leaving a high status job as head of a prestigious music conservatorium in Melbourne to move across the country with her partner to Queensland. Owning a horse pushed the need for paddocks to the top of Gillian's wish list. Since her artist partner also craved land on which to build a studio, they bought a dilapidated weatherboard farmhouse on 2.5 acres and swapped city living in Brisbane for the pleasures of semi-rural Ransome. Gillian gave up her lecturing position, weekly spot on radio, and an array of exhausting consultancies to focus on freelance writing. For a year she wore mud-stained boots and dusty jeans by day and shiny heels and black cocktail gear at night to mingle with the art cogniscenti at functions, give pre-concert talks for the Australian Chamber Orchestra and review concerts for the Australian newspaper. And she tried to ride Elvis. Elvis had been pitched to Gillian as a quiet, beginner's 'I'll-do-whatever-you-want-kind-of-horse' that could hardly summon up the energy to trot. the truth was very different. Rehabilitating Elvis through natural horsemanship methods (horse whispering) with the help of a laconic yet seriously gifted trainer introduced Gillian to a whole new world where music was incidental and daily discussions centred on the weather, how to tell good grass from bad, and fear of the Hendra virus. She persevered with her riding lessons, ignoring the often not-so-subtle doubts that she would ever learn to ride competently, let alone be able to control a spirited mount like Elvis. Gradually Elvis' behaviour improved and Gillian's confidence grew. Learning to assert her leadership over Elvis' daily rehabilitation program slowly but surely transformed her world. Gillian says, 'I was supposed to help Elvis, but instead he led me on an unexpected trail of self-discovery. I learned to like myself. I realised I didn't have to prove to the world I was worthy, be defined by a profession, or prove that I could achieve an impossible goal. I began to stand up for myself with my partner, employers, children, friends ... and with Elvis, of course!'' (Publication summary)

1 Review : Boy, Lost Gillian Wills , 2013 single work review
— Appears in: Good Reading , October 2013; (p. 70)

— Review of Boy, Lost : A Family Memoir Kristina Olsson , 2013 single work biography
1 Talented Cast Can't Save Clunky Adaptation Gillian Wills , 2013 single work review
— Appears in: The Courier-Mail , 28 August 2013; (p. 48)

— Review of Tequila Mockingbird Les Wicks , 1999-2002 single work poetry
1 Coming out of the Wardrobe to Real and Imagined Worlds Gillian Wills , 2012 single work review
— Appears in: The Weekend Australian , 9-10 June 2012; (p. 24-25)

— Review of Life, Literature, Legends : Collected Essays 1996-2011 Sophie Masson , 2011 selected work essay
1 Grab-Bag of Thoughts on Road to Discovery Gillian Wills , 2012 single work review
— Appears in: The Weekend Australian , 10-11 March 2012; (p. 18-19)

— Review of As I Was Saying Robert Dessaix , 2012 selected work essay autobiography prose
1 Fresh Light on Dark Days of Sugar Gillian Wills , 2011 single work review
— Appears in: The Australian , 1 August 2011; (p. 16)

— Review of Behind the Cane Margery Forde , Michael Forde , 2011 single work musical theatre
1 Untitled Gillian Wills , 2010 single work review
— Appears in: The Courier-Mail , 4 -5 September 2010; (p. 24)

— Review of The Vintage and the Gleaning Jeremy Chambers , 2008 single work novel
1 Unlikely Success, on the Whole Gillian Wills , 2009 single work review
— Appears in: The Australian , 5 October 2009; (p. 17)

— Review of Miracle in Brisbane 2009 single work musical theatre
1 Top State in Arts Gillian Wills , 2009 single work criticism
— Appears in: Limelight , June 2009; (p. 42-45)
1 Twins Fade to Pink but Opera Hits Home Gillian Wills , 2009 single work review
— Appears in: The Australian , 27 July 2009; (p. 30)

— Review of The Pink Twins Sue Rider , 2009 single work musical theatre ; Dirty Apple Shaun Charles , 2009 single work musical theatre
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