Cirrus@Austlit

'In this compelling anthology of personal essays, curated by award-winning author Lee Kofman, some of Australia’s most beloved writers reveal, for the first time, powerful, occasionally funny and often heartbreaking stories of significant endings and their aftermath.

'Graeme Simsion, author of The Rosie Project, shares how he discarded his past – perhaps autistic – self, while comedian Sami Shah writes about his public split from Islam, the religion of his birth. Ramona Koval delves into the bittersweet end to her career at the ABC and Fiona Wright explores how her anorexia has affected her romantic relationships. Whereas Kate Holden suggests that for some, splitting – whether from memorabilia, books or lovers – is unimaginable.

'Join eighteen acclaimed storytellers in their candid and courageous reflections on the intrinsic human experience of loss and leaving, that acknowledge the price we can often pay for a much-needed end, or new beginning.' (Publication summary)

'By the time she was eleven and living in Russia, Lee Kofman had undergone several major operations on both a defective heart and injuries sustained in a bus accident. Her body harbours a constellation of disfiguring scars that have shaped her sense of self and her view of the world. But it wasn't until she moved from the Soviet Union to Israel and later Australia that she realised these markings weren't badges of honour to flaunt but were, in fact, imperfections that needed to be concealed.

'In a seductive mix of memoir and cultural critique, Kofman casts a questioning eye on the myths surrounding our conception of physical perfection and what it's like to live in a body that deviates from the norm. She reveals the subtle ways we are all influenced by the bodies we inhabit, whether our differences are pronounced or noticeable only to ourselves. She talks to people of all shapes, sizes and configurations and takes a hard look at the way media and culture dictates how bodies should and shouldn't be.

'By turns illuminating, confronting and deeply personal, IMPERFECT challenges us all to consider how we exist in the world and how our bodies shape the people we become.'  (Publication summary)

'Good daughters hold their tongues, obey their elders and let their families determine their destiny. Rebellious daughters are just the opposite.

'In Rebellious Daughters, some of Australia’s most talented female writers share intimate and touching stories of rebellion and independence as they defy the expectations of parents and society to find their place in the world.

'Powerful, funny and poignant, these stories explore everything from getting caught in seedy nightclubs to lifelong family conflicts and marrying too young. Beautifully written, profoundly honest and always relatable, every story is a unique retelling that celebrates the rebellious daughter within us all.

'Not every woman is a mother, grandmother, aunty or sister – but all women are daughters.' (Publication summary)

'What do you do when your husband claims to be madly in love with you, but doesn't desire you sexually? When your therapist is more interested in opening an online sex-toy shop with your husband than in saving your marriage? Do you try yet another counsellor, get divorced or settle for a sexless marriage?

'Lee Kofman, rebellious daughter of ultra-orthodox Jews, has always sought her own way. True to her Bohemian dream where love can coexist with sexual freedom, she decided to experiment with an open marriage . . . despite the fact that her previous non-monogamous relationship ended in disaster.

Our cultural mores suggest that love without monogamy is impossible, but Lee hoped she could do better the second time round and embarked on a personal exploration to find out whether she could save her marriage while being non-monogamous in an ethical way. For several months she talked to swingers, polyamorists, cross-dressers, suburban families, artists and migrants—in short, to anyone who has ever been involved in an unconventional relationship.

'Set during Lee's first years in Australia, it is also the story of migration, and an exploration of the eternal conflict between our desire for security, but also for foreign places—in love and elsewhere. The Dangerous Bride tells the story of her quest.' (Publication summary)