Cirrus@Austlit

'A self-portrait that is as brilliant original as White's fiction and drama.

'In this remarkable self-portrait Patrick White explains how on the very rare occasions when he re-reads a passage from one of his books, he recognises very little of the self he knows. This 'unknown' is the man interviewers and visiting students expect to find, but 'unable to produce him', he prefers to remain private, or as private as anyone who has been awarded the Nobel Prize for Literature can ever be. In this book is the self Patrick White does recognise, the one he sees reflected in the glass.'

Source: Publisher's blurb (Vintage ed.).

"Set in Australia in the 1840s, A FRINGE OF LEAVES combines dramatic action with a finely distilled moral vision. Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties - to her dead husband, to her rescuer, to her own and to her adoptive class."

'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.

'From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'

Source: Random House Books (Sighted 21/09/2012)

'Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.' (Publication summary)

'Have you ever done a runner from the dentist? Are you petrified of clowns? Have giant headlice tried to attack and eat you? Do you ever chew on your grandfather's toenails for short story inspiration? And have you come up with a genius way to never do homework again? All of these things have happened to me. I'm Tom Weekly. My life is an exploding chicken and the book in your hands is my attempt to glue it back together again.'

Source: Publisher's blurb.

'This book is 100% gluten free, 100% fat free, 100% organic and 35% fact free. It has no added sugar and contains absolutely NO NUTRITIONAL BENEFITS AT ALL! May contain traces of NUTS!

'Have you ever helped your pop escape from a nursing home? Does your teacher have a problem with his bowels? Is your sister an evil genius and criminal mastermind? Have you ever mined your teeth for cash? Do you want to know where all the lost socks go? Is there a girl or boy at school who's in love with you and wants to kiss you? And do you know anyone with the worst case of nits in world history?

'I do. I'm Tom Weekly and this is the third book in my life story. Welcome to my weird, funny, sometimes kinda gross adventures.' (Publication summary)

'Edward is sad after he finds the last tree in the city is no longer standing. After some reflection, he finds a way to make things better. A poignant tale about the environment and the way children relate to its beauty.' (Back cover.)

'Six responsible adults. Three cute kids. One small dog. It’s just a normal weekend. What could possibly go wrong?

Sam and Clementine have a wonderful, albeit, busy life: they have two little girls, Sam has just started a new dream job, and Clementine, a cellist, is busy preparing for the audition of a lifetime. If there’s anything they can count on, it’s each other. Clementine and Erika are each other’s oldest friends. A single look between them can convey an entire conversation. But theirs is a complicated relationship, so when Erika mentions a last minute invitation to a barbecue with her neighbors, Tiffany and Vid, Clementine and Sam don’t hesitate. Having Tiffany and Vid’s larger than life personalities there will be a welcome respite. Two months later, it won’t stop raining, and Clementine and Sam can’t stop asking themselves the question: What if we hadn’t gone?

In Truly Madly Guilty, Liane Moriarty takes on the foundations of our lives: marriage, sex, parenthood, and friendship. She shows how guilt can expose the fault lines in the most seemingly strong relationships, how what we don’t say can be more powerful than what we do, and how sometimes it is the most innocent of moments that can do the greatest harm' (publication blurb).

'Nobel Laureate and two-time Booker prize-winning author of Disgrace and The Life and Times of Michael K, J. M. Coetzee tells the remarkable story of a nation gripped in brutal apartheid in his Sunday Express Book of the Year award-winner Age of Iron. In Cape Town, South Africa, an elderly classics professor writes a letter to her distant daughter, recounting the strange and disturbing events of her dying days. She has been opposed to the lies and the brutality of apartheid all her life, but now she finds herself coming face to face with its true horrors: the hounding by the police of her servant's son, the burning of a nearby black township, the murder by security forces of a teenage activist who seeks refuge in her house. Through it all, her only companion, the only person to whom she can confess her mounting anger and despair, is a homeless man who one day appears on her doorstep' (Source: Libraries Australia).

'A young English biographer is working on a book about the late writer, John Coetzee. He plans to focus on the years from 1972 - 1977 when Coetzee, in his thirties, is sharing a run-down cottage in the suburbs of Cape Town with his widowed father. This, the biographer senses, is the period when he was finding his feet as a writer. Never having met Coetzee, he embarks on a series of interviews with people who were important to him: a married woman with whom he had an affair, his favourite cousin Margot, a Brazilian dancer whose daughter had English lessons with him, former friends and colleagues. From their testimony emerges a portrait of the young Coetzee as an awkward, bookish individual with little talent for opening himself to others. Within the family he is regarded as an outsider, someone who tried to flee the tribe and has now returned, chastened. His insistence on doing manual work, his long hair and beard, rumours that he writes poetry evoke nothing but suspicion in the South Africa of the time.

Sometimes heartbreaking, often very funny, Summertime shows us a great writer as he limbers up for his task. It completes the majestic trilogy of fictionalised memoir begun with Boyhood and Youth.' (Provided by the publisher.)

In this collection of 21 essays introduced by Derek Attridge, most of which have been published in the New York Review of Books, Coetzee reveals his skill as a literary critic in his own right.

'This volume gathers together for the first time in book form twenty-nine pieces on books, writing, photography and the 1995 Rugby World Cup in South Africa. Stranger Shores opens with What is a Classic? in which Coetzee explores the answer to his own question -'What does it mean in living terms to say that the classic is what survives?' -by way of TS Eliot, JS Bach and Zbigniew Herbert. His subjects range from eighteenth and nineteenth century writers Daniel Defoe, Samuel Richardson and Ivan Turgenev, to the great German modernists Rilke, Kafka, and Musil, to the giants of late twentieth century literature, among them Harry Mulisch, Joseph Brodsky, Jorge Luis Borges, Salman Rushdie, Amos Oz, Naguib Mahfouz, Nadine Gordimer and Doris Lessing.' (Publisher's summary)