Steen Hasselbalchs Forlag Steen Hasselbalchs Forlag i(A76410 works by) (Organisation) assertion
Born: Established: Copenhagen,
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Denmark,
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Scandinavia, Western Europe, Europe,
;
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13 1 y separately published work icon The Big Story Morris West , London Melbourne : Heinemann , 1957 Z528257 1957 single work novel

'Richard Ashley is a journalist who cares about the truth, and he's about to break the greatest story of his career.

'Italy's ruling clique is rotten to the core. A scandal centred around Vittorio, Duke of Orgagna, points to a web of corruption and deceit emanating from his estate in the south.

'But Ashley finds that the truth is not all it seems when he falls in love with Orgagna's wife. Everything is more complicated, more passionate, than before—and tainted by death. Suddenly Ashley's greatest story threatens to be his last.'

Source: Publisher's blurb (Allen & Unwin, 2017).

19 33 y separately published work icon The Shoes of the Fisherman Morris West , London : Heinemann , 1963 Z529081 1963 single work novel

'The profound story of a cardinal who steps out from the Iron Curtain to become Pope amid the machinations of Cold War politics—the first title in the Vatican Trilogy.'

Source: Publisher's blurb (Allen & Unwin, 2017).

30 20 y separately published work icon The Devil's Advocate Morris West , 1959 London : Heinemann , 1959 Z528667 1959 single work novel
— Appears in: Reader's Digest Condensed Books: volume four, 1960, Autumn selections 1960;

'A moving exploration of the meaning of faith, and a vivid portrayal of life in impoverished post-war Calabria.'

Source: Publisher's blurb (Allen & Unwin, 2017).

5 10 y separately published work icon Naked Under Capricorn Olaf Ruhen , London : MacDonald , 1958 Z114867 1958 single work novel Davis Marriner had been drawn into the wilderness of the Australian desert by specious tales of easy wealth, only to be robbed and abandoned by his companions. Naked and alone he lay beneath the fierce sun of Capricorn, and there he would have died but for Jeff Edrington, a travelling horse trader, who saved his life and taught him the rudiments of continued survival in this hard and unknown country. Through Edrington and the tribe of Aborigines among whom he later settled, Marriner was floated on a tide that carried him down the years to wealth and influence as the owner of a great cattle station, his name becoming known in the distant cities of the coast as that of an almost legendary figure. This impressive novel vividly illustrates the opening up of central Australia during the first four decades of this century and reflects the same deep concern for primitive peoples in an era of change that was so memorable a feature of Olaf Ruhen's tales of New Guinea, Land of Dahori. (Publisher's blurb).
3 11 y separately published work icon Men of the Jungle Ion L. Idriess , Sydney : Angus and Robertson , 1932 Z275930 1932 single work autobiography travel
7 10 y separately published work icon A Warning to Wantons : A Fantastic Romance Setting Forth the Not Undeserved but Awful Fate Which Befell a Minx Mary Mitchell , London : Heinemann , 1934 Z453488 1934 single work novel romance humour

'SHE commences: "The following curious tale is set in a mountainous district in south-eastern Europe, hitherto undisturbed by the march of progress on account of its barren inaccessibility."

'Here we find two castles owned by the two magnates of the district. Count Anton Kardak and Count Stephen Boruli. Count Anton, who is a merry widower, has a son, Max, and Count Boruli a blonde Amazon daughter, Maria.

'She is like a goddess and rides a motor bike and is about to marry Max when Count Anton commits the indiscretion of bringing, as a guest to his castle, Renee de la Vailliere, a young woman of high intelligence but low morals.

'As might be expected, Maria does not take kindly to Renee, with the result that Renee sets out deliberately to steal Max's affections even though his wedding night is but a few days off.

'The best part of the story is the chapters dealing with Renee's antics to captivate Max, which she finally does on the night before his marriage. Maria catches her fiance and Renee in a compromising situation, and decides that the time has arrived for direct action.

'So, having drained Max's car of half its petrol, she arranges things so that he will be forced to drive Renee home when the party is over.

'Everything works to plan. The car stops half-way between the two castles. Max gets out to walk to Castle Kardak, for another car, leaving Renee behind. When he returns she has disappeared.

It is only the next day, when the wedding is over, that Renee's clothes are discovered by the side of a mysterious lake from which no one, who went in, had ever come out. The whole neighbourhood accepts the belief that Renee, tired of waiting for Max, thought she would go for a swim, and got drowned.

'Denouement

'IT is here that the reader anticipates a brilliant denouement, but it is not forthcoming. One suspects, with Count Anton, that Renee is not really dead, and that Maria has been responsible for her disappearance, but she has vanished so completely that her whereabouts are beyond conjecture.

'However, it turns out at last that Maria, on the fatal eve of her wedding, forced Renee to strip off her clothes by the edge of the lake, and then took her by motor-bike to a far-away and inaccessible village, where she left her in a peasant's cottage.

'The owner of the cottage, Pauli Matafa, accepted her as a gift from the woods, and Renee is apparently unable to get back to civilisation. She lives with Pauli in unwashed simplicity for months and months, until Count Anton suddenly discovers her and takes her back to Castle Kardak.

'The rivalry between Renee and Maria then starts all over again, until Pauli arrives on the scene, and the story finishes with Renee marrying him and becoming a peasant worker on Count Anton's estate. In this way she changes from a young woman of high intelligence and low morals to one of low intelligence and high morals. It is all very unsatisfactory; nevertheless there are fine passages in the book, and one can truthfully say that this new writer is well worth getting acquainted with.'

Source:

'A Warning to Wantons', Australian Women's Weekly, 7 April 1934, p.6.

3 y separately published work icon Laughing Water Ethel Turner , London Melbourne : Ward, Lock , 1920 Z863786 1920 single work children's fiction children's
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