Cirrus@Austlit

Robert Hood describes this film as

'A ghost thriller in which a young women returns to her mother's property (which has been converted into a nursing home for the aged), and is haunted by a presence within the house. The film explores the nature of blood/power relationships and generates some eeriness as it does so. Stylistically interesting and builds to a bloody climax'.

In their overview of the film, Australian Screen says,

'Next of Kin is a very 'European' Australian horror thriller. Set in a spooky Hammer Horror-type mansion, moodily lit by cinematographer Gary Hansen and set to a score by German electronic music pioneer Klaus Schulze, its tone is reminiscent of films from the same era made by Italian horror fantasists such as Dario Argento (see Tenebrae, 1982) and Lucio Fulci (see The Beyond, 1981). Although set in that vast physical and psychological space beyond city limits called the Outback [...], its menace comes not from what might be 'out there' but from what's lurking in the walls and memories of an old dark house.'

Sources:

Australian Screen, Next of Kin (http://aso.gov.au/titles/features/next-of-kin/). (Sighted: 6/7/2012)

Hood, Robert. 'Killer Koalas: Australian (and New Zealand) Horror Films'. Tabula Rasa (http://www.tabula-rasa.info/AusHorror/OzHorrorFilms2.html). (Sighted: 6/7/2012)

'Medical student Paul Armstrong spends a day at a Melbourne VD clinic.'

Source: Australian Screen.

Based on real events that occurred in Australia at the turn of the century and adapted from Thomas Keneally's novel, The Chant of Jimmie Blacksmith concerns a young man of Aboriginal and European heritage who has been raised by missionaries. A hard and reliable worker, Jimmie is employed on a property in central-western New South Wales. Hoping to achieve assimiliation into white society, Jimmy marries a white girl, but instead this only increases the loathing and ridicule directed at him. In the winter of 1900, an argument ensues between Jimmy and the owner of the property, which leads to Jimmie and his uncle horrifically killing most of the man's family. Jimmie subsequently takes to the bush with his wife, baby, and younger brother, Mort. Pursued by the police and vigilante farmers, Jimmie sends his wife back with a message: 'tell them I've declared war.' He and Mort kill again, but the younger brother becomes increasingly troubled by their actions. Jimmie eventually goes on alone until his inevitable capture and hanging.

Set in a Catholic seminary outside Melbourne in 1953, an era in which aspiring priests would begin training in their early teens for their eventual vocation, The Devil's Playground is a study not only of life in a religious school but also of its effects on the students' lives, morals, and mental states. The protagonist, thirteen-year-old Tom Allen, is constantly getting in trouble for his behaviour, which includes wetting his bed, showering in the nude, and always being late. Although he spends many hours in the chapel praying for guidance, his impure thoughts terrify him. The priests and brothers who teach him also struggle with their own desires, while at the same time arguing for greater discipline. Indeed, most of the order - postulates and priests alike - have doubts about their vocation. Through the loneliness, fear, and shame, Tom begins to ponder his future.

[Source: Australian Screen]