Australian Film and Television School Australian Film and Television School i(A76052 works by) (Organisation) assertion
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1 form y separately published work icon Tony Buckley Peter Thompson (interviewer), ( dir. John Wiggins ) Sydney : Australian Film and Television School , 1986 Z1583347 1986 single work film/TV interview

Tony Buckley discusses the Australian film industry from the producer's point of view (in particular, the costs of film-making), reflects on the changes and growth of the Australian film industry since 1979, and discusses his new feature film Bliss and recent documentary work.
1 4 form y separately published work icon A Girl's Own Story Jane Campion , ( dir. Jane Campion ) Sydney : Australian Film and Television School , 1983 Z1746354 1983 single work film/TV This film 'traces the stories of three suburban teenage girls (Pam, Gloria and Stella) in 1960’s Australia. It deals with the difficulties of burgeoning sexuality, incest, friendship and family against the backdrop of Beatlemania and an era that valued the isolating notions of purity and wholesomeness over honesty and acceptance.' Source: www.sensesofcinema.com (Sighted 30/11/2010).
1 form y separately published work icon Tony Buckley Bryon Quigley (interviewer), Sydney : Australian Film and Television School , 1979 Z1583157 1979 single work film/TV Australian film producer, director, and editor Tony Buckley is interviewed by Bryon Quigley. Among the films discussed are The Night the Prowler, Picture Show Man, Caddie, and The Irishman.
1 1 form y separately published work icon Castor and Pollux Castor and Pollux : A Tale of Two Spiritual Brothers Phillip Noyce , ( dir. Phillip Noyce ) Australia : Australian Film and Television School , 1973 Z1324255 1973 single work film/TV Named after two Roman gods, Castor and Pollux is a documentary that contrasts the lives of two middle-aged brothers: Adrian Rawlins, a soft-spoken gay bohemian and champion of counter-culture values, and Gus, a totally anarchic, right-wing biker from the Finks Motorcycle Club. Both are leaders in their alternative movements. The film shows, however, that they are quite similar, particularly in their desire to question or rebel against conventional living.
1 1 form y separately published work icon One Hundred a Day Gillian Armstrong , ( dir. Gillian Armstrong ) Sydney : Australian Film and Television School , 1973 Z1046283 1973 single work film/TV A drama set in a 1930s' shoe factory in Sydney, where a young girl continues to work at her machine after a visit to a backyard abortionist, while her body slowly aborts the foetus.
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