Kate Veitch Kate Veitch i(A741 works by)
Born: Established: 1955 Adelaide, South Australia, ;
Gender: Female
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Works By

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1 Inheritance Kate Veitch , 2020 single work novella
— Appears in: Griffith Review , no. 70 2020; (p. 34-84)
1 The Suburbs, the '60s : What Use a Scrap of Bush? Kate Veitch , 2019 single work autobiography
— Appears in: Griffith Review , January no. 63 2019; (p. 282)

'It's 1961, AND the kids of the baby boom are rapidly outgrowing old nests. On the eastern edge of Melbourne's suburbs, orchards and dirt roads are giving way to brick veneer and asphalt, with new houses going up fast on quarter-acre blocks bulldozed down to the bare smooth clay. At 6 Irving Court, Vermont, the window frames have just been put in: my mother, standing in what will be the marital bedroom, leans her hands against the sill and smiles out towards my father taking yet another photo with his Kodak Brownie. A big, eye-crinkling smile, with a hint of triumph. For the first time, my parents will be living in a house they actually own, and both have convinced themselves it'll heal the rifts in their thirteen-year marriage.' (Publication abstract)

 

1 Stuff : Why Do We Own so Many Things? Kate Veitch , 2016 single work autobiography
— Appears in: Griffith Review , no. 51 2016; (p. 149-158)
'We get to vote just once every few years, but every single day we consume, we buy, we acquire. Stuff. And more stuff. Each item had to be made or manufactured and transported to us, all at vast cumulative cost to the world's resources. Most of us accumulate far more than we can use, and regularly yearn for a home devoid of clutter.' (Publication abstract)
1 Moments Alone Kate Veitch , 2013 single work prose
— Appears in: Griffith Review , April no. 40 2013;
1 Small Eye : Wanderings With and Without a Camera Kate Veitch , 2012 single work prose travel
— Appears in: Griffith Review , Spring no. 37 2012; (p. 49-59)
1 Words from Memory Kate Veitch , 2011 single work prose
— Appears in: Griffith Review , Spring no. 33 2011;
2 8 y separately published work icon Trust Kate Veitch , Camberwell : Viking , 2010 Z1687707 2010 single work novel

'I'm a lucky woman, thinks Susanna Greenfield. And why wouldn't she? Her handsome, successful husband is a loving father to their two teenage children. Her mother is her dearest friend, and her scatty but adored younger sister seems to have finally found some stability in her life. Susanna has a solid career as an art teacher, and if, as she's recently discovered, there's a hole inside her where her creative spirit used to be - is that really such a big price to pay?

'But beneath the carefully maintained surface, seismic forces are at work. Fault lines are forming, not only in Susanna, but within each beloved member of her family. In a single, tragically ill-judged moment, the fabric it has taken a lifetime to construct can be torn apart.

'Human frailties, and the power of the ties that bind us: this is Kate Veitch's territory, explored with characteristic warmth and honesty in her absorbing portrait of a family thrown into crisis.' (From the publisher's website.)

1 [Review] Taller When Prone Kate Veitch , 2010 single work correspondence
— Appears in: The Weekend Australian , 24-25 April 2010; (p. 3)
1 Better a Beaut Bloke Than a Great Guy Kate Veitch , 2008 single work column
— Appears in: The Weekend Australian , 12-13 January 2008; (p. 8-9)
Kate Veitch comments on the process of changing her novel Listen to make it acceptable to an American market. She notes some of the terms and situations that could have been unfamiliar to American audiences and explains where and why she drew the line in modifying her text.
1 Foreword : Good Times, Bad Times Kate Veitch , 2006 single work column
— Appears in: The Weekend Australian Magazine , 16-17 September 2006; (p. 14)
1 A Reality Found Through Fiction Kate Veitch , 2006 single work biography
— Appears in: The Sun-Herald , 3 September 2006; (p. 64)
1 A Goss Fest? Please! I'm a Serious Writer Kate Veitch , 2006 single work diary
— Appears in: The Sunday Age , 3 September 2006; (p. 14)
1 17 y separately published work icon Listen Without a Backward Glance Kate Veitch , Camberwell : Viking , 2006 Z1301448 2006 single work novel

'On Christmas Eve in 1967, a London woman unhappily transplanted to the Australian suburbs makes a decision that will change forever the lives of her four young children.

'Forty years on, those children are adept at concealing their shared pain. Deborah has a demanding political career, James is a successful artist, Robert a respected school principal. Only Meredith, the baby of the family seems struck. But as their father begins to lose his grip on reality, they find themselves floundering in an unfamiliar sea. And their past is about to reach into the present in ways that will shock and challenge them all.' (Publisher's blurb)

1 Re-Reading Mears Kate Veitch , 1997 single work review
— Appears in: Australian Book Review , October no. 195 1997; (p. 30-31)

— Review of Collected Stories Gillian Mears , 1997 selected work short story
1 From Kate Veitch Kate Veitch , 1996 single work correspondence
— Appears in: Australian Book Review , July no. 182 1996; (p. 6)
1 Birth and Beyond Kate Veitch , 1996 single work review
— Appears in: Australian Book Review , May no. 180 1996; (p. 30)

— Review of Motherlove : Stories About Births, Babies and Beyond 1996 anthology short story poetry prose biography
1 Stepping Sideways Kate Veitch , 1996 single work review
— Appears in: Australian Book Review , August no. 183 1996; (p. 62-63)

— Review of Asturias Brian Caswell , 1996 single work novel
1 Sonya Hartnett Interviewed by Kate Veitch Kate Veitch (interviewer), 1996 single work interview
— Appears in: Australian Book Review , December-January (1996-1997) no. 187 1996; (p. 83-84)
1 A Dream That Calls Kate Veitch (interviewer), 1995 single work interview
— Appears in: Australian Book Review , April no. 169 1995; (p. 65-67)
1 Reading Matters Kate Veitch , 1995 single work column
— Appears in: Viewpoint : On Books for Young Adults , Winter vol. 3 no. 2 1995; (p. 24-25)
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