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Aileen Moreton-Robinson Aileen Moreton-Robinson i(A72549 works by)
Born: Established: Moreton Bay, Brisbane - South East, Brisbane, Queensland, ;
Gender: Female
Heritage: Aboriginal ; Aboriginal Goernpil / Goenpul / Geonpul
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Works By

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1 y separately published work icon Routledge Handbook of Critical Indigenous Studies Brendan Hokowhitu (editor), Aileen Moreton-Robinson (editor), Linda Tuhiwai-Smith (editor), Chris Andersen (editor), Steve Larkin (editor), London : Routledge , 2020 20944012 2020 anthology criticism

'The Routledge Handbook of Critical Indigenous Studies is the first comprehensive overview of the rapidly expanding field of Indigenous scholarship. The book is ambitious in scope, ranging across disciplines and national boundaries, with particular reference to the lived conditions of Indigenous peoples in the first world. 

'The contributors are all themselves Indigenous scholars who provide critical understandings of indigeneity in relation to ontology (ways of being), epistemology (ways of knowing), and axiology (ways of doing) with a view to providing insights into how Indigenous peoples and communities engage and examine the worlds in which they are immersed. Sections include:

  • Indigenous Sovereignty 
  • Indigeneity in the 21st Century 
  • Indigenous Epistemologies 
  • The Field of Indigenous Studies 
  • Global Indigeneity 

'This handbook contributes to the re-centring of Indigenous knowledges, providing material and ideational analyses of social, political, and cultural institutions and critiquing and considering how Indigenous peoples situate themselves within, outside, and in relation to dominant discourses, dominant postcolonial cultures and prevailing Western thought.'

Source: Publisher's blurb.

1 3 y separately published work icon The White Possessive : Property, Power, and Indigenous Sovereignty Aileen Moreton-Robinson , Minneapolis : University of Minnesota Press , 2015 10692051 2015 multi chapter work criticism

'The White Possessive explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless. Focusing on the Australian Aboriginal context, Aileen Moreton-Robinson questions current race theory in the first world and its preoccupation with foregrounding slavery and migration. The nation, she argues, is socially and culturally constructed as a white possession.

'Moreton-Robinson reveals how the core values of Australian national identity continue to have their roots in Britishness and colonization, built on the disavowal of Indigenous sovereignty. Whiteness studies literature is central to Moreton-Robinson’s reasoning, and she shows how blackness works as a white epistemological tool that bolsters the social production of whiteness—displacing Indigenous sovereignties and rendering them invisible in a civil rights discourse, thereby sidestepping thorny issues of settler colonialism.

'Throughout this critical examination Moreton-Robinson proposes a bold new agenda for critical Indigenous studies, one that involves deeper analysis of how the prerogatives of white possession function within the role of disciplines.' (Publication summary)

1 y separately published work icon International Journal of Critical Indigenous Studies Aileen Moreton-Robinson (editor), Maggie Walter (editor), 2008 Queensland University of Technology, Indigenous Studies Research Network , 2008-2022 Z1691337 2008 periodical (8 issues)

The International Journal of Critical Indigenous Studies '... is a multidisciplinary and interdisciplinary field[,] the journal's epistemological framework encompasses but is not restricted to Sociology, Law, Literature, Psychology, Education, Anthropology, History, Economics, Philosophy, Politics, Visual and Performing Arts, Cultural studies, Queer studies, Feminism, Human Geography, Environmentalism, Postcolonial studies and Race studies." (http://www.isrn.qut.edu.au/publications/internationaljournal/ last accessed 17/05/10)

1 4 y separately published work icon Sovereign Subjects : Indigenous Sovereignty Matters Aileen Moreton-Robinson (editor), Crows Nest : Allen and Unwin , 2007 Z1380640 2007 anthology criticism

'Some of Indigenous Australian's emerging and well-known critical thinkers examine the implications of continuing to live in a state founded on invasion. They show how for Indigenous people, self-determination, welfare dependency, representation, cultural maintenance, history writing, reconciliation, land ownership and justice are all inextricably linked to the original act of dispossession and the ongoing loss of sovereignty.' Source: Back cover.

1 The Whiteness of Windshuttle's Worries: Aboriginal History and the National Character Aileen Moreton-Robinson , 2005 single work essay
— Appears in: The Ideas Book 2005; (p. 51-67)
1 2 y separately published work icon Whitening Race : Essays in Social and Cultural Criticism Aileen Moreton-Robinson (editor), Canberra : Aboriginal Studies Press , 2004 Z1183726 2004 single work criticism 'With its focus on Australia, Whitening Race enagages with relations between migration, Indigenous dispossession and whiteness. It creates a new intellectual space that investigates the nature of racialised conditions and their role in reproducing colonising relations in Australia.' Back cover of Whitening Race (2004)
1 Introduction: Resistance, Recovery and Revitalisation Aileen Moreton-Robinson , 2003 single work essay
— Appears in: Blacklines : Contemporary Critical Writing by Indigenous Australians 2003; (p. 127-131)
Introduction to Blacklines Part III. Knowledge in action: politics, policies, practices
1 Tiddas Talkin' Up to the White Woman When Huggins et al. Took on Bell Aileen Moreton-Robinson , 2003 single work essay (taught in 1 units)
— Appears in: Blacklines : Contemporary Critical Writing by Indigenous Australians 2003; (p. 66-77)
Discusses a debate between black and white Australian feminists in the 1990s. The debate centred on an article written by Diane Bell and Topsy Napurrula Nelson, 'Speaking About Rape is Everyone's Business' (Women's Studies International Forum, 1989). The author concludes that aboriginal women 'enter feminism and its debates...not on our terms, but on the terms of white feminists whose race confers dominance and privilege.' (Blacklines p. 77)
1 23 y separately published work icon Talkin' Up to the White Woman : Aboriginal Women and Feminism Aileen Moreton-Robinson , St Lucia : University of Queensland Press , 2000 Z1009223 2000 single work criticism (taught in 8 units)

In this important and beautifully written book, Aileen Moreton-Robinson gives us a compelling analysis of white Australian feminism seen through Indigenous Australian women's eyes. She unpacks the unspoken normative subject of feminism as white middle-class woman, where whitemess marks their position of power and privilege vis-a-vis Indigenous women, and where silence about whitemess sustains the exercise of that power. And she examines the consequences of practices for Indigenous women and White women.' (Source: Preface, Talkin' Up to the White Women, 2000)

1 [Review] Jackie Huggins Aileen Moreton-Robinson , 1999 single work review
— Appears in: Queensland Review , May vol. 6 no. 1 1999; (p. 85)

— Review of Sister Girl : The Writings of Aboriginal Activist and Historian Jackie Huggins Jackie Huggins , 1998 selected work prose interview essay biography
1 Unmasking Whiteness : A Goori Jondal's Look at Some Duggai Business Aileen Moreton-Robinson , 1999 single work essay
— Appears in: Queensland Review , May vol. 6 no. 1 1999; (p. 1-7)

'Since invasion and subsequent colonisation, Australia has a history of preferring and privileging people who have white skin. As I have remarked elsewhere:

Whiteness in its contemporary form in Australian society is culturally based. It controls institutions, which are extensions of White Australian culture and is governed by the values, beliefs and assumptions of that culture and its history. Australian culture is less White than it used to be, but Whiteness forms the centre and is commonly referred to in public discourse as the ‘mainstream’ or ‘middle ground’ (Moreton-Robinson 1998:11).' (Extract)

1 When the Object Speaks, A Postcolonial Encounter : Anthropological Representations and Aboriginal Women's Self-Presentations Aileen Moreton-Robinson , 1998 single work criticism
— Appears in: Discourse : Studies in the Cultural Politics of Education , December vol. 19 no. 3 1998; (p. 275-289)
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