Tracey Rigney Tracey Rigney i(A67171 works by)
Gender: Female
Heritage: Aboriginal Ngarrindjeri ; Aboriginal Wotjobaluk / Wergaia ; Aboriginal
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Works By

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1 Belonging, Cindy Tracey Rigney , 2023 extract drama (Belonging)
— Appears in: First Nations Monologues 2023;
1 3 form y separately published work icon We Are Still Here Danielle MacLean , Dena Napuljarri Curtis , Tim Worrall , Richard Curtis , Miki Magasiva , Mario Gaoa , Tiraroa Reweti , Chantelle Burgoyne , Tracey Rigney , Renae Maihi , Samuel Nuggin-Paynter , ( dir. Beck Cole et. al. )agent Australia : No Coincidence Media , 2022 24479100 2022 anthology film/TV

'Hurtling through space and time, We Are Still Here is an unparalleled First Nations celebration, interweaving eight stories by 10 directors from Australia, New Zealand and the South Pacific.

'Conceived as a cinematic response to the 250th anniversary of James Cook’s arrival in this region, We Are Still Here is a poetic and powerful statement of resistance and survival. Through eight heroic protagonists, the film traverses 1000 years exploring stories of kinship, loss, grief and resilience. It begins with a stunning animation set in ancient times, when a mother and daughter out fishing have a disturbing vision of the future. Then we are taken to 1862 where, in both Australia and New Zealand, Indigenous people confront the prospect of a terrifying future. In 1915, a Samoan soldier finds himself in a perilous situation, but also encounters an unexpected act of kindness. Alongside stories set in the past, there are also contemporary stories of activism, of confronting racism, of romance and of ancestral love. And finally, a vision of a dystopian future. Bringing together a range of genres – animation, sci-fi, romantic comedy, period drama – We Are Still Here is cumulatively a strident story of endurance in the face of colonialism, racism and attempted erasure. It is also evidence of thrilling new First Nations cinematic talent from our region.'

Source: Sydney Film Festival.

1 form y separately published work icon Elders Tracey Rigney , ( dir. Tony Briggs ) Australia : 2019 21854717 2019 single work film/TV

'Two Elders feel that their grandson is old enough to start learning vitally important lessons that will equip him with the necessary tools to maintain the future survival of his culture.'

Source: St Kilda Film Festival.

1 form y separately published work icon Elders Tracey Rigney , ( dir. Tony Briggs ) Australia : Typecast , 2019 18661354 2019 single work film/TV

'Two Elders feel that their grandson is old enough to start learning vitally important lessons that will equip him with the necessary tools to maintain the future survival of his culture. His classroom is the expansive country of his ancestors. But is he ready for the challenge that is placed before him, and will he know what to do when the time comes?'

Source: Publisher's blurb.

1 form y separately published work icon A Chance Affair Steven Oliver , ( dir. Tracey Rigney ) Australia : Noble Savage Pictures , 2017 14523349 2017 series - publisher film/TV humour romance

'When Chance declares his love for his best mate Geoff, he discovers that true love can only be found by being truthful to himself.' 

1 2 form y separately published work icon The Warriors Jon Bell , Tracey Rigney , Tony Briggs , Tony Briggs , Robert Connolly , ( dir. Adrian Wills et. al. )agent Victoria : Arenamedia Pty Ltd Australian Broadcasting Corporation , 2017 10234405 2017 series - publisher film/TV humour

'THE WARRIORS is set in the world of Australian Rules Football. It explores the elite world of professional sport through the eyes of two new recruits - plucked from obscurity to fame and fortune - and two established players as they are thrown together in a share house in Melbourne.'

Source: ABC media release (https://tv.press.abc.net.au/footy-season-may-be-over-but-new-abc-tv-series-is-just-warming-up#). (Sighted: 11/10/2016)

1 Wotjobaluk Man Tracey Rigney (interviewer), 2003 single work interview
— Appears in: Eureka Street , January-February vol. 13 no. 1 2003; (p. 26-27)
Tracey Rigney interviews her grandfather.
1 4 Belonging Tracey Rigney , 2002 single work drama
— Appears in: Blak Inside : 6 Indigenous Plays from Victoria 2002; (p. 71-106)
'Follows the taunts and temptations of a school girl, and her personal struggle to remain true to her culture and herself.' Source: Publisher's blurb
1 3 y separately published work icon Blak Inside : 6 Indigenous Plays from Victoria John Harding , Tammy Anderson , Tracey Rigney , Maryanne Sam , Jadah Milroy , Richard Frankland , Playbox Theatre , Strawberry Hills : Currency Press Playbox Theatre , 2002 Z950463 2002 anthology drama (taught in 1 units)

Contains six plays.

Enuff by John Harding is a frightening and funny play about an Australian future where black patience has run out. A violent uprising is planned for Reconciliation Day – will retribution or forgiveness prevail?

I Don't wanna Play House by Tammy Anderson is the moving story of her childhood. A truly remarkable account of the triumph of the human spirit.

Belonging by Tracey Rigney recounts the taunts and temptations of a school girl, and her personal struggle to remain true to her culture, and herself.

Casting Doubts by Maryanne Sam is a funny, and at times heart-wrenching, play about an actors' casting agency with more colour charts than a paint shop, and the problems that Indigenous actors face.

Crowfire by Jadah Milroy is the story of a young, urban Indigenous Australian woman, and a man from a desert community lured into the city. The moving story of a search for identity and the need for reconciliation.

Conservations with the Dead by Richard J Frankland is a poetic and savage play that takes you into the aching sorrow of deaths in custody.

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