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Katherine Bode Katherine Bode i(A66157 works by)
Gender: Female
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Works By

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1 Beyond Britain and the Book : the Nineteenth-century Australian Novel Unbound/ed Katherine Bode , Sarah Galletly , Carol Hetherington , 2023 single work criticism
— Appears in: The Cambridge History of the Australian Novel 2023; (p. 44-62)
1 4 y separately published work icon A World of Fiction : Digital Collections and the Future of Literary History Katherine Bode , Ann Arbor : University of Michigan Press , 2018 14344551 2018 single work criticism

'During the 19th century, throughout the Anglophone world, most fiction was first published in periodicals. In Australia, newspapers were not only the main source of periodical fiction, but the main source of fiction in general. Because of their importance as fiction publishers, and because they provided Australian readers with access to stories from around the world—from Britain, America and Australia, as well as Austria, Canada, France, Germany, New Zealand, Russia, South Africa, and beyond—Australian newspapers represent an important record of the transnational circulation and reception of fiction in this period.

Investigating almost 10,000 works of fiction in the world’s largest open-access collection of mass-digitized historical newspapers (the National Library of Australia’s Trove database), A World of Fiction reconceptualizes how fiction traveled globally, and was received and understood locally, in the 19th century. Katherine Bode’s innovative approach to the new digital collections that are transforming research in the humanities is a model of how digital tools can transform how we understand digital collections and interpret literatures in the past.'

Source: Publisher's blurb.

1 2 y separately published work icon To Be Continued... : The Australian Newspaper Fiction Database Katherine Bode (editor), Carol Hetherington (editor), Canberra : Centre for Digital Humanities Research , 2017 14344286 2017 website bibliography

To Be Continued... is a 'collection of fiction enables important new insights into the development of Australian literary, publishing and reading culture, including what early Australians were reading, where it came from, and how it was published and understood.'

Source: To be continued... website.

1 y separately published work icon How I Pawned My Opals and Other Lost Stories Catherine Martin , Katherine Bode , Braddon : Obiter Publishing , 2017 13624890 2017 selected work short story

'Nell has a friend in need but will her kind heart wreck her chance for future happiness? A meddlesome prank and a stray kitten bring Helen and Gabriel together but will he be able to admit his feelings? When Lily goes missing will Archibald trust his wife or listen to the 'evidence' of family friends? Is Marie's runaway kookaburra the last straw or the answer to her problems? Will Teresa's faith in the Madonna bring her beloved Carlo home safely from the coral fishing?

'Catherine Martin's loyal, wilful and feisty heroines traverse the terrains of romance in Italy, Switzerland and Australia in these nineteenth-century tales of manners.

'Catherine Martin (1848?-1937) was the author of poems, essays, short stories and novels, including the popular An Australian Girl (1890). All the stories in this collection were published in the Australian press between 1881 and 1898. They have never been published in book form before.

'The book includes an introduction by Katherine Bode, an Associate Professor at the Australian National University working in digital humanities, literary studies and book history. Her Australian Research Council funded project, To Be Continued, has unearthed an astonishing bibliographic index and full-text archive of fiction in Australian newspapers from 1803 to 1955.' (Publication summary)

1 y separately published work icon To Be Continued... Katherine Bode , 2017 Braddon : Obiter Publishing , 2017- 13624708 2017 series - publisher selected work short story
1 Literature as Olympic Event? : Understanding the Scoreboard for Australian Women’s Writing Katherine Bode , 2017 single work criticism
— Appears in: Etropic , vol. 16 no. 2 2017;

'The Olympics were in full swing when I was approached to be part of a town hall forum on gender equality in Australian literature at James Cook University. I have never watched much sport. But in July 2016 I had a three-month old baby to look after, meaning I was spending a lot of time on the couch watching daytime television; and when the Olympics are on, there’s not much other daytime television on offer.' (Introduction)

1 Australia Katherine Bode , 2017 single work criticism
— Appears in: The Oxford History of the Novel in English : The Novel in Australia, Canada, New Zealand, and the South Pacific Since 1950 2017; (p. 15-29)

'Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies...' (Introduction)

1 Fictional Systems : Mass-Digitization, Network Analysis, and Nineteenth-Century Australian Newspapers Katherine Bode , 2017 single work criticism
— Appears in: Victorian Periodicals Review , Spring vol. 50 no. 1 2017; (p. 100-138)

'Based on an analysis of the largest collection of mass-digitized newspapers available internationally, this article critiques current approaches to digital periodical studies, particularly relating to network analysis, while radically revising existing accounts of fiction reprinting and syndication in nineteenth-century Australia. It challenges the perceived dominance of Tillotson's Fiction Bureau in this market and the associated ascendancy of syndicated British fiction over local writing. Turning to the critically neglected provincial press, it shows that these newspapers published and reprinted more fiction than their metropolitan counterparts. This material was supplied by an extensive, active, and hitherto essentially unrecognized array of syndication agencies operating within and beyond the colonies.' (Publication abstract)

1 'To Be Continued' : A World of Serial Fiction in Australian Newspapers Katherine Bode , 2015 single work criticism
— Appears in: Island , no. 141 2015; (p. 62-67)
1 Retrieving a World of Fiction : Building an Index and an Archive of Serialized Novels in Australian Newspapers, 1850-1914 Katherine Bode , Carol Hetherington , 2014 single work criticism
— Appears in: Script & Print , vol. 38 no. 4 2014; (p. 197-211) The Indexer , June vol. 33 no. 1 2015; (p. 57-65)

'Two and a half decades ago in this journal Elizabeth Morrison made an impassioned and persuasive case for creating an index to serial fiction in Australian (or Australasian) newspapers...'

1 'Sidelines' and Trade Lines : Publishing the Australian Novel, 1860–1899 Katherine Bode , 2012 single work criticism
— Appears in: Book History , vol. 15 no. 1 2012; (p. 93-122)
'Recent studies of the book (and of publishing and reading) in Australia emphasize the importance of British books and authors for colonial literary culture, while describing the absence of local publishing and disregard of colonial readers for Australian fiction. Based on a quantitative analysis of the place and form of publication of Australian novels from 1860 to 1899, I argue that local publishing and writing were significantly more important to colonial literary culture than these recent accounts allow, and that a local readership for Australian fiction also helps to explain the activities of British book publishers in the colonial market' (Author's abstract).
1 4 y separately published work icon Reading by Numbers : Recalibrating the Literary Field Katherine Bode , New York (City) : Anthem Press , 2012 Z1874845 2012 single work criticism 'Reading by Numbers: Recalibrating the Literary Field is the first book to use digital humanities strategies to integrate the scope and methods of book and publishing history with issues and debates in literary studies. By mining, visualising and modelling data from 'AustLit' - an online bibliography of Australian literature that leads the world in its comprehensiveness and scope - this study revises established conceptions of Australian literary history, presenting new ways of writing about literature and publishing and a new direction for digital humanities research. The case studies in this book offer insight into a wide range of features of the literary field, including trends and cycles in the gender of novelists, the formation of fictional genres and literary canons, and the relationship of Australian literature to other national literatures.'
Source: Publisher's blurb
1 ‘We’re Not Truckin’ around’ : On and Off-road in Samuel Wagan Watson’s Smoke Encrypted Whispers Katherine Bode , 2011 single work essay
— Appears in: Humanities Research , vol. 17 no. 2 2011; (p. 109-119)
'Cars and roads traverse the poetry of Samuel Wagan Watson, a self-identified Aboriginal man of Bundjalung, Birri Gubba, German and Irish ancestry. The narrator/s of the poems in Smoke Encrypted Whispers are repeatedly on the road or beside it, and driving is employed as a metaphor for everything from addiction and memory to the search for love. Road kill litters the poems, while roads come to life, cars become men, and men have ‘gas tanks that can’t see empty’. Watson’s poetry has received significant critical attention and acclaim: his ‘haunting, uncanny, layered poetics of history’ and depiction of ‘colonial degradation’ have been explored, and his poems—including those featuring cars and roads—have been analysed in relation to such themes as the sacred, locatedness, and creative processes. Given the extent to which cars and roads dominate Watson’s poetry, it is notable, however, that his use of both to explore and resist ‘colonial degradation’ has not received sustained attention.' (Introduction)
1 Looking (Im)Properly : Women Objectifying Men's Bodies in Contemporary Australian Women's Fiction Katherine Bode , 2010 single work criticism
— Appears in: Women Constructing Men : Female Novelists and Their Male Characters, 1750-2000 2010; (p. 185-206)
'Traditionally, although "women have always written about men," men's bodies have been dealt with circumspectly, if at all. Hence, facial features and general size and comportment are often described and used as aspects of characterisation, but men's bodies are rarely depicted and explored in any particular or extensive way. Peter Brooks ties the customary scarcity of men's bodies in women's fiction to gendered divisions within visual culture, asserting, "vision is a typically male prerogative, and its object of fascination the woman's body, in a cultural model so persuasive that many women novelists don't reverse its vectors." Recently, however - and along with the increasing visibility of men's bodies in popular culture - there has emerged a growing tendency for women writers (and artists) to depict men's bodies. This chapter explores a significant example of this paradigm shift occurring in contemporary fiction by Australian women, focusing on three representative texts: Last of the Sane Days (1999) by Fiona Capp, The Architect (2000) by Jillian Watkinson, and Miranda (1998) by Wendy Scarfe.' (Author's introduction 185)
1 2 Publishing and Australian Literature : Crisis, Decline or Transformation? Katherine Bode , 2010 single work criticism
— Appears in: Cultural Studies Review , vol. 16 no. 2 2010; (p. 24-48)
Authors abstract: The end of the 'golden age' of Australian literature and publishing has been proclaimed many times, and multiple causes of this situation have been identified, including 'declining editing standards, changes in literary taste, the rise of marketing departments in publishing houses, changing leisure patterns, [and] the advent of Nielson BookScan'. Most often and most convincingly, the end of this 'golden age' is attributed to the globalisation, consolidation and economic rationalisation of book publishing. Nathan Hollier's claim that 'Australian literature is dying, or at least disappearing', because 'the Australian publishing industry and market is dominated by a handful of large corporations, themselves generally parts of massive, multinational conglomerates', captures the general view. This supposed dominance of Australian publishing by multinational conglomerates is described by some commentators, like Michael Wilding and David Myers, as negative for Australian literature as a whole, and by others, like Webby and Mark Davis, as responsible for a specific decline in Australian literary fiction. I explore both positions, first investigating trends in Australian novel publication and comparing these to trends in publication of novels from other countries as well as other forms of Australian-originated literature (specifically, poetry and auto/biography). I then consider the case of Australian literary fiction, before looking in detail at Davis's account of the changing output of large publishers of Australian novels. The results of this study reveal a decline in Australian novel and poetry titles (since 2000 and 1994 respectively), but suggest a more complex picture of this trend than dominant expressions of nostalgia and alarm about the fate of Australian literature and publishing imply.
1 Along Gender Lines : Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006 Katherine Bode , 2009 single work criticism
— Appears in: Australian Literary Studies , October/November vol. 24 no. 3-4 2009; (p. 79-95)
Using AustLit database records, the author examines the number and proportion of Australian novels published from 1930 to 2006 by wo/men, the genre of these novels, and possible trends revealed. The essay concentrates on the implications of a quantitive reassessment of Australian literary history for feminist understandings of that history.
1 From British Domination to Multinational Conglomeration? : A Revised History of Australian Novel Publishing, 1950-2007 Katherine Bode , 2009 single work criticism
— Appears in: Resourceful Reading : The New Empiricism, eResearch and Australian Literary Culture 2009; (p. 194-219) Sold by the Millions : Australia's Bestsellers 2012; (p. 22-45)
Examining the publishing history of Australian novels based on data from AustLit, Bode distinguishes three phases: British Domination 1950-1970, National Awakening 1970s and 1980s, and Multnational Domination 1990-. Resisting the frequent argument that the book and the book industry are dying, the essay explores 'some of the complex ways in which both novel and industry are Janus-faced: turned to the national and the transnational, the cultural and the commerical' (196).
1 1 Resourceful Reading : A New Empiricism in the Digital Age? Katherine Bode , Robert Dixon , 2009 single work criticism (taught in 1 units)
— Appears in: Resourceful Reading : The New Empiricism, eResearch and Australian Literary Culture 2009; (p. 1-27)
1 4 y separately published work icon Resourceful Reading : The New Empiricism, eResearch and Australian Literary Culture Katherine Bode (editor), Robert Dixon (editor), Sydney : Sydney University Press , 2009 Z1663702 2009 anthology criticism 'This collection provides the first comprehensive account of eResearch and the new empiricism as they are transforming the field of Australian literary studies in the twenty-first century...The essays range from accounts of the state of the discipline in its international contexts with a particular focus on future directions, to exemplary applications of empirical methods by leading critics and scholars. Reports on current large-scale online projects that represent a significant future direction of literary studies in Australia are also included. Together, they demonstrate the possibilities and the range of new empirical and electronic approaches to Australian literary studies.' (Source: back cover)
1 Aussie Battler in Crisis? : Shifting Cultural Constructions of White Australian Masculinity and National Identity Katherine Bode , 2009 single work criticism
— Appears in: Creative Nation : Australian Cinema and Cultural Studies Reader 2009; (p. 337-357)
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