Eugene Schlusser Eugene Schlusser i(A66052 works by)
Born: Established: 1939 Frankfurt am Main,
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Germany,
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Western Europe, Europe, ;
Gender: Male
Arrived in Australia: 1950
Heritage: Russian
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Works By

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1 y separately published work icon Escape from the Sun : Surviving the Tyrannies of Lenin, Hitler and Stalin Eugene Schlusser , North Melbourne : Australian Scholarly Publishing , 2017 11485915 2017 single work biography

'When a son begins to question his parents' judgement and decisions after World War II, he is overwhelmed by what he finds. To survive dictators you need to keep secrets even if this means deliberately disinforming your family. Paul and Natalie keep their family safe by doing so. But should secrets be kept for ever? Can secrets destroy as well as save this family? One secret greater than any other is uncovered only when the author begins to write his story. This is a powerful account of a son retrieving his past to safeguard the future.' (Publication Summary)
1 form y separately published work icon A Sting in the Tale Reg McLean , Patrick Edgeworth , ( dir. Eugene Schlusser ) Australia : Rosa Colosimo Films , 1989 6948139 1989 single work film/TV

'In this political satire Diane Lane steps on a few toes as she conspires her way to the top job in the land and becomes Australia's first woman Prime Minister.'

Source: Screen Australia. (Sighted: 23/1/2014)
1 2 y separately published work icon The Critic Critic (Perth, WA) Eugene Schlusser (editor), J. M. S. O'Brien (editor), Hal Nicholson (editor), J. M. S. O'Brien (editor), Crawley : University of Western Australia. Literary Society , 1961-1970 Z1136800 1961-1970 periodical (23 issues) 'While at first planned to be a fortnightly broadsheet dedicated to the craft and politics of the arts it became a three weekly quarto sized publication. The Critic advocated open discussion of arts organizations such as The Elizabethan Theatre Trust, The Perth Playhouse and the Festival of Perth. It campaigned for the preservation of heritage buildings like 'The Barracks', improved accoustic design for the Concert Hall, and the inclusion of domestic productions and exhibitions in the Festival. It ran regular reviews of performances, exhibitions, films, architecture and book reviews. Randolph Stow, Katherine Brisbane, Dorothy Hewitt, Patrick Hutchings and Phillip Parsons were among the contributors' (Information from Eugene Schlusser).
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