John Andrew John Andrew i(A57598 works by) (Organisation) assertion (a.k.a. John Andrew & Co., Printers)
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
2 1 y separately published work icon After Many Days : Being the Reminiscences of Cuthbert Fetherstonhaugh Cuthbert Fetherstonhaugh , Melbourne : E. W. Cole , 1918 Z1142860 1918 single work autobiography
1 y separately published work icon Australian Melodies Philip Norman , Sydney : John Andrew , 1913 Z1318414 1913 selected work poetry
1 1 y separately published work icon Sinbad the Sailor, Or, Tinbad the Tailor, and the Wicked Ogres, the Good Fairy, and the Little Old Man of the Sea (To Say Nothing of the Bold, Bad Wreckeroo) Sinbad The Sailor: An Up to Date Version of a Good Old English Xmas Pantomime Bert Royle , J. C. Williamson , George F. Pack (composer), Sydney : Williamson and Musgrove , 1896 Z861466 1896 single work musical theatre pantomime fantasy

Based on the popular pantomime story of Sinbad the Sialor, the narrative was played out in three acts, comprising the following scenes:


Act 1 Scene 1. Davey Jones' Locker. Cavern under the Sea;

Scene 2. Port of Balasora. A village Carnival. Hornpipe in Fetters. Sinbad's Departure;

Scene 3. Saloon of the Bobstay;

Scene 4. Wreck of the Vessel. Storm at Sea. Breakers Ahead. Neptune to the Rescue.

Act 2 Scene 1. The Royal Bath at Nowayer Patiklar. The Nautch Dance and the Ballet of the Harem;

Scene 2. The Mountain Pass. Topical duets;

Scene 3. The Diamond Valley. Ballet of thr Night Elves and the Grand Amazonian March. Starting Trap Scenes. Flight of the Fairy Rock and Escape of Sinbad.

Act 3 Scene 1. The King's Palace. Grand Variety and Specialty Scene;

Scene 2. The Palace Gardens. Recovery of the Koh-i-Noor;

Transformation Scene

Harlequinade


The production's music elements included the following songs and dances: 'Didn't I Run, Run, Run' (sung by Will Crackles), 'Rosie O'Grady' (Ada Baker), 'Il Bacio' and 'Canary Polka' (Frank Lawton), 'Darling Mabel' (Eva Clements), 'We'll Just Have Another and Then' (Crackles and Stanfield), 'Mary Used to Go to Sunday School' (Stella Esdaile), 'Remedies' (Stanfield), 'Love's Duet' (Phillips and Esdaile), and the 'Magnificent Trio Dance' (performed by Misses E. and A. Hooper and Frank Lawton).

X