Cirrus@Austlit

'In this compelling study, Anna Johnston shows how colonial knowledge from Australia influenced global thinking about convicts, natural history and humanitarian concerns about Indigenous peoples. These were fascinating topics for British readers, and influenced government policies in fields such as prison reform, the history of science, and humanitarian and religious campaigns. Using a rich variety of sources including natural history and botanical illustrations, voyage accounts, language studies, Victorian literature and convict memoirs, this multi-disciplinary account charts how new ways of identifying, classifying, analysing and controlling ideas, populations, and environments were forged and circulated between colonies and through metropolitan centres. They were also underpinned by cultural exchanges between European and Indigenous interlocutors and knowledge systems. Johnston shows how colonial ideas were disseminated through a global network of correspondence and print culture.'  (Publication summary)

'Editing Fiction considers the collaborative efforts of literary production as well as editorial practice in its own right, using case studies by Australian novelists Jessica Anderson, Thea Astley and Ruth Park. An emphasis on collaboration is necessary because literary criticism often takes books as finite, discrete works rather than the result of multiple contributors, engaged to differing degrees. The editorial process always involves a negotiation over edits for the sake of the work, taking its potential reception or projected sales into account. Through examination of the archives, this Element shows that editing can be formative, limiting, commercially directed, a literary collaboration - or a mix of all these interventions. For editors and scholars alike, the Element examines practices of the recent past, seeking to determine the responsibilities of editors and publishers to authors, the text itself and to society; and the interrelation of editorial work, social conditions and market forces.' (Publication summary)

'Accessible yet comprehensive, this first systematic account of crime fiction across the globe offers a deep and thoroughly nuanced understanding of the genre's transnational history. Offering a lucid account of the major theoretical issues and comparative perspectives that constitute world crime fiction, this book introduces readers to the international crime fiction publishing industry, the translation and circulation of crime fiction, international crime fiction collections, the role of women in world crime fiction, and regional forms of crime fiction. It also illuminates the past and present of crime fiction in various supranational regions across the world, including East and South Asia, the Arab World, Sub-Saharan Africa, Europe and Scandinavia, as well as three spheres defined by a shared language, namely the Francophone, Lusophone, and Hispanic worlds. Thoroughly-researched and broad in scope, this book is as valuable for general readers as for undergraduate and postgraduate students of popular fiction and world literature.' (Publication summary)

'Wiradjuri woman, Anita Heiss, is arguably one of the first Aboriginal Australian authors of popular fiction.

'A focus on the political characterises her chick lit; and her identity as an author is both supplemented and complemented by her roles as an academic, activist and public intellectual. Heiss has discussed genre as a means of targeting audiences that may be less engaged with Indigenous affairs, and positions her novels as educative but not didactic.

'Her readership is constituted by committed readers of romance and chick lit as well as politically engaged readers that are attracted to Heiss' dual authorial persona; and, both groups bring radically distinct expectations to bear on these texts.

'Through analysis of online reviews and surveys conducted with users of the book reviewing website Goodreads, I complicate the understanding of genre as a cogent interpretative frame, and deploy this discussion to explore the social significance of Heiss' literature.' (Publication summary)

'Nobel Laureate J. M. Coetzee is amongst the most acclaimed and widely studied of contemporary authors. The Cambridge Companion to J. M. Coetzee provides a compelling introduction for new readers, as well as fresh perspectives and provocations for those long familiar with Coetzee's works. All of Coetzee's published novels and autobiographical fictions are discussed at length, and there is extensive treatment of his translations, scholarly books and essays, and volumes of correspondence. Confronting Coetzee's works on the grounds of his practice, the chapters address his craft, his literary relations and horizons, and the relationship between his writings and other arts, disciplines and institutions. Written by an international team of contributors, this Companion offers a comprehensive introduction to this important writer, establishes new avenues of discovery, and explains Coetzee's undiminished ability to challenge and surprise his readers with inventive works of striking power and intensity.'

Source : publisher's blurb

'By the late 1980s the concept of the work had slipped out of sight, consigned to its last refuge in the library catalogue as concepts of discourse and text took its place. Scholarly editors, who depended on it, found no grounding in literary theory for their practice. But fundamental ideas do not go away, and the work is proving to be one of them. New interest in the activity of the reader in the work has broadened the concept, extending it historically and sweeping away its once-supposed aesthetic objecthood. Concurrently, the advent of digital scholarly editions is recasting the editorial endeavour. The Work and The Reader in Literary Studies tests its argument against a range of book-historically inflected case-studies from Hamlet editions to Romantic poetry archives to the writing practices of Joseph Conrad and D. H. Lawrence. It newly justifies the practice of close reading in the digital age.' (Publication summary)

'During the Second World War, Indigenous people in the United States, Australia, New Zealand and Canada mobilised en masse to support the war effort, despite withstanding centuries of colonialism. Their roles ranged from ordinary soldiers fighting on distant shores, to soldiers capturing Japanese prisoners on their own territory, to women working in munitions plants on the home front. R. Scott Sheffield and Noah Riseman examine Indigenous experiences of the Second World War across these four settler societies. Informed by theories of settler colonialism, martial race theory and military sociology, they show how Indigenous people and their communities both shaped and were shaped by the Second World War. Particular attention is paid to the policies in place before, during and after the war, highlighting the ways that Indigenous people negotiated their own roles within the war effort at home and abroad.' (Publication summary)

'A History of Irish Autobiography is the first ever critical survey of autobiographical self-representation in Ireland from its recoverable beginnings to the twenty-first century. The book draws on a wealth of original scholarship by leading experts to provide an authoritative examination of autobiographical writing in the English and Irish languages. Beginning with a comprehensive overview of autobiography theory and criticism in Ireland, the History guides the reader through seventeen centuries of Irish achievement in autobiography, a category that incorporates diverse literary forms, from religious tracts and travelogues to letters, diaries, and online journals. This ambitious book is rich in insight. Chapters are structured around key subgenres, themes, texts, and practitioners, each featuring a guide to recommended further reading. The volume's extensive coverage is complemented by a detailed chronology of Irish autobiography from the fifth century to the contemporary era, the first of its kind to be published.' (Production summary)

'The 'Global South' has largely supplanted the 'Third World' in discussions of development studies, postcolonial studies, world literature and comparative literature respectively. The concept registers a new set of relationships between nations of the once colonized world as their connections to nations of the North diminish in significance. Such relationships register particularly clearly in contemporary cultural theory and literary production. The Global South and Literature explores the historical, cultural and literary applications of the term for twenty-first-century flows of transnational cultural influence, tracing their manifestations across the Global Southern traditions of Africa, Asia and Latin America. This collection of interdisciplinary contributions examines the origins, development and applications of this emergent term, employed at the nexus of the critical social sciences and developments in literary humanities and cultural studies. This book will be a key resource for students, graduates and researchers working in the field of postcolonial studies and world literature.'(Publication summary)

Soldiers and Gentlemen: Australian Battalion Commanders in the Great War, 1914-1918 is the first book to examine the background, role and conduct of Australian commanding officers during the First World War. Though they held positions of power, commanding officers inhabited a leadership no man's land - they exerted great influence over their units, but they were also largely excluded from the decision-making process and faced the same risks as junior officers on the battlefield. A soldier's well-being and success in battle was heavily dependent on a commanding officer's competence, but little is known about the men who filled these roles. In his groundbreaking book, William Westerman explores the stories of the vitally important, yet often forgotten, commanding officers. Theirs is a story of the timeless challenges of military leadership, and this book prevents them from slipping from the public memory to enhance our knowledge of the conflict. (Publication Summary)

'In this book, newly commissioned essays by leading scholars offer insights into the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain. As digitisation of historical media opens up new avenues of research, contributors discuss journalists and journals, technological innovation, and the global dimension of the British press.' (Publication summary)

'This volume explores various facets of the relationship between the fantastic and the fin de siècle. The essays included here examine how the fin de siècle reflects the fantastic and its relation to the genesis of aesthetic ideas, to the concepts of terror and horror, the sublime, and evil, to Gothic and sensation fiction, to the Aesthetic Movement and Decadence. They also raise the question regarding the ways in which fantastic literature reflects the dynamic and all-too-often controversial development of the concept of the fantastic. At the same time, the majority of the contributions also investigate a broader context of specific social, political and economic conditions that frame the fantastic of the fin de siècle. They examine how fantastic genres use narrative manipulations, and how they incorporate various ideas of scientific development and progress by highlighting the role of religion, cultural anxiety and social crisis, as well as exploring the ways such genres use the fantastic for various purposes of cultural and social subversion. Fin de siècle fantastic literature is also investigated across a variety of cultures, as reflected in Scottish, Canadian, Australian, American and British writing, with particular emphasis on their predominant cultural or generic aspects, the genesis of the fin de siècle fantastic in some of these cultures and literatures, and their relations to a wider historical and cultural framework.

'The essays as a whole represent the work of scholars working in a diverse range of fields, and therefore adopt a wide range of approaches to the fantastic. As such, this volume provides a fresh and stimulating platform for further rethinking of the concept of the fantastic and its relation to fin de siècle literature, and its theoretical, philosophical, generic, and other implications within a broader literary, social and cultural context.' (Publication summary)