Cirrus@Austlit

'As both composer and critic, Peggy Glanville-Hicks contributed to the astonishing cultural ferment of the mid-twentieth century. Her forceful voice as a writer and commentator helped shape professional and public opinion on the state of American composing. The seventy musical works she composed ranged from celebrated operas like Nausicaa to intimate, jewel-like compositions created for friends. Her circle included figures like Virgil Thomson, Paul Bowles, John Cage, and Yehudi Menuhin. Drawing on interviews, archival research, and fifty-four years of extraordinary pocket diaries, Suzanne Robinson places Glanville-Hicks within the history of American music and composers. "P.G.H."--affectionately described as "Australian and pushy"--forged alliances with power brokers and artists that gained her entrance to core American cultural entities such as the League of Composers, New York Herald Tribune, and the Harkness Ballet. Yet her impeccably cultivated public image concealed a private life marked by unhappy love affairs, stubborn poverty, and the painstaking creation of her artistic works. Evocative and intricate, Peggy Glanville-Hicks clears away decades of myth and storytelling to provide a portrait of a remarkable figure and her times.' (Publication summary)

'This first study of the hard sci-fi pioneer includes a rare interview with Greg Egan

'Greg Egan (1961- ) publishes works that challenge readers with rigorous, deeply-informed scientific speculation. He unapologetically delves into mathematics, physics, and other disciplines in his prose, putting him in the vanguard of the hard science fiction renaissance of the 1990s.

'A working physicist and engineer, Karen Burnham is uniquely positioned to provide the first in-depth study of Egan's science-heavy oeuvre. She traces the author's career from his early short stories through novels like Permutation City and Schild's Ladder and the Hugo Award-winning novella "Oceanic," analyzing how Egan used cutting-edge scientific theories as a way to explore ethical questions and the nature of humanity. As Burnham shows, Egan's collected works constitute a bold artistic statement: that narratives of science are equal to those of poetry and drama, and that science holds a place in the human condition as exalted as religion or art.

'The volume includes a rare interview with the famously press-shy Egan covering his works, themes, intellectual interests, and thought processes.' (Publication summary)

In-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals. The collection covers every imaginable aspect of cowboy poetry: its history, its themes, its techniques, and its individual poets and shows that cowboy poetry interweaves two thematic strands: a fierce defence of an endangered way of life and a dynamic celebration of organic wholeness, camaraderie, and individualism.