Tom Zubrycki Tom Zubrycki i(A4558 works by)
Born: Established: 1946 London,
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England,
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United Kingdom (UK),
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Western Europe, Europe,
;
Gender: Male
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Works By

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1 y separately published work icon The Changing Landscape of Australian Documentary Tom Zubrycki , Strawberry Hills : Currency House , 2019 17346135 2019 single work criticism 'Documentaries matter now more than ever. Documentary storytelling is a vital way to explore our world and who we are as a nation. In this they are as much an art form as about real life 'and that's sufficient reason for them to have a strong cultural imperative. But in this evolving digital era, a new landscape has emerged. Much has changed: new storytelling tools, a new global base 'but with reduced government funding and increased fragmentation of the distribution sector. The once self reliant TV broadcast industry has re structured around ratings and perceived audience taste.
'So it is outside the broadcast sector that we must look for ambition and innovation. We are now at that historical moment of transition from an outdated broadcast model to a digital future of many platforms. The systems created by the Internet will be the future. But they cannot survive without government regulation. Currently they have no local content obligations. These global companies must engage with Australian originated projects right from the start. Zubrycki calls for similar content regulation to that of the commercial broadcasters. 'It's not going to happen any other way', he insists. 'Quotas are not just necessary, they are essential.'' (Publication summary)
 
1 form A Filimmakers' Cinema John Hughes (director), Tom Zubrycki (director), 2014 single work film/TV non-fiction

'An essential story of late 20th century Australia; the rise, fall and afterlife of the Filmmakers’ Co-operative movement in Australia is an untold story linking social movements of the 1960s, ‘70s and ‘80s with an ‘underground’ cinema that fostered alternative filmmaking enterprise in production, distribution and exhibition. An extraordinary diversity of creative ambition converged with a ground swell of social change, as the Co-ops became a forum and a vehicle for ‘minority’ voices denied expression in mainstream media. The Co-ops themselves changed radically during their lifetimes, charting transitions from 1960s avant-garde film, through militant opposition to authoritarianism, capitalism and patriarchy, to engagement and critical collaboration with a market driven film industry. Australia’s best-known, and lesser-known filmmakers passed through the excitements, disasters and ordeals of the Filmmakers Co-ops. The project contributes to a broad appreciation of engaged filmmaking in Australian cultural history; in particular the work celebrates the commitment of concerned and active citizens, engaged with independent film work, both production and distribution, in campaigns for social equity, human rights and intellectual freedom. The project also explores the constraints and conflicts generated by agencies of government aligned more often with markets than audiences, and with prestige rather than social and cultural impact. ' (Source: Documentary Australia Foundation website)

1 form y separately published work icon Bran Nue Dae : A Film About the Musical by Jimmy Chi and Kuckles Tom Zubrycki , ( dir. Tom Zubrycki ) Perth : Bran Nue Dae Corporation. , 1991 Z867653 1991 single work film/TV

This film is structured around two main themes: the production of the musical Bran Nue Dae and the life of Jimmy Chi. Both elements are interwoven with key participants, players in Jimmy's life, and archival footage. The musical Bran Nue Dae, devised by Jimmy Chi, is the story of an Aboriginal boy's flight home from the city of Perth to his homeland at Djaridjin. His search for identity, love, and security are shown through a blend of traditional Aboriginal music, rock and roll, blues, and opera.

1 Homeland Stanley Correy , Tom Zubrycki , 1991 single work prose
— Appears in: Homeland 1991; (p. 68-82)
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