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John Kinsella John Kinsella i(A3690 works by) (a.k.a. John Vincent Kinsella)
Also writes as: John Heywood ; 'Ern Jr. Malley'
Born: Established: 1963 Perth, Western Australia, ;
Gender: Male
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Works By

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1 Corrosive (in 12 parts) : Chaos Theory and the Western Australian Central Wheatbelt (a work-in-progress) John Kinsella , sequence poetry
1 The Echidna Project John Kinsella , extract poetry (Echidna (for Jacques Derrida))(Echidna Photomontage (for JD))(Odour)(Quill)(Amnesty Echidna Manifesto)
Arc Publications International Poets John Kinsella (editor), Arc Publications (publisher), series - publisher
1 y separately published work icon Salt Publishing John Kinsella , Z911653 website
1 Lilith and the Minotaur (iii) Release i "sympathy -", John Kinsella , single work poetry
1 Lilith and the Minotaur (ii) Splice i "The Minotaur/drank Lilith's swelling heart", John Kinsella , single work poetry
Lilith and the Minotaur (i) Vitriol i "In the gown", John Kinsella , single work poetry
1 y separately published work icon Ghost of Myself John Kinsella , St Lucia : University of Queensland Press , 2025 29730610 2025 selected work poetry 'Ghost of Myself explores who we are when we write, how we embody what has come before us and what we will leave behind. These poems consider the ghostliness of colonial legacy and the impact of pastoralism and conventional farming on the land, and are concerned with the ‘pith’ of language – the way the new might come out of the compressions and controls of formal syntax and vocabulary. Deeply imbued with observations of the ‘natural world’, these poems contemplate how we witness, record and leave marks. Each poem is a ghost of itself, too, and offers an opportunity for addressing the wrongs committed to country, environment and history.' 

(Publication summary)

1 Limbo Canto 22 i "It’s no less busy here", John Kinsella , 2025 single work poetry
— Appears in: The Saturday Paper , 22-28 February 2025;
1 Consolations 31 i "When I lived on the edge of the plain", John Kinsella , 2025 single work poetry
— Appears in: The Saturday Paper , 22-28 February 2025;
1 Consolations 40 i "The house is surrounded by dead", John Kinsella , 2025 single work poetry
— Appears in: The Saturday Paper , 22-28 February 2025;
1 The Crossing John Kinsella , 2025 single work short story
— Appears in: The Weekend Australian , 18-19 January 2025; (p. 16)
1 Affected by What We Read, What We Recall John Kinsella , 2024 single work poetry
— Appears in: Living Systems : Poetry from Asia Pacific 2024; (p. 232)
1 Suppliants - An Ontology John Kinsella , 2024 single work poetry
— Appears in: Living Systems : Poetry from Asia Pacific 2024; (p. 230)
1 Full Immersion John Kinsella , 2024 single work poetry
— Appears in: Living Systems : Poetry from Asia Pacific 2024; (p. 229)
1 Swarm Fibrillation of Orbit and Warning Areas John Kinsella , 2024 single work poetry
— Appears in: Living Systems : Poetry from Asia Pacific 2024; (p. 228)
1 Destabilising (the) Pastoral John Kinsella , 2024 single work poetry
— Appears in: Living Systems : Poetry from Asia Pacific 2024; (p. 227)
1 The Maze John Kinsella , 2024 single work short story
— Appears in: Meanjin , Summer vol. 83 no. 4 2024; Meanjin Online 2024;
1 Not the Poem Alone : In Medias Res John Kinsella , 2024 single work criticism
— Appears in: The Cambridge Companion to Australian Poetry 2024; (p. 292-312)

'This chapter argues that ecopoetry is too easily absorbed back into the logics of capitalism and colonialism. Aware of the delimiting forces surrounding its own context, the chapter argues to be taken not as an essay but as an action. It argues that for a poem to bring about environmental change, it must be part of connected interventions. The chapter outlines the poetic yarning between John Kinsella and Charmaine Papertalk Green, a member of the Wajarri, Badimaya, and Nhanagardi people of the Yamaji Nation, as a means of generative protest. It also provides an example of poems written in medias res in the collective resistance to a proposal to build bike trails on Walwalinj, a mountain sacred to the Ballardong Noongar people. This example demonstrates a poem is shaped by the particular situation and how the poem is one part of a network of actions that formed a campaign that was led by Aboriginal elders. The chapter also includes collaborative poetry written during the Roe 8 Highway protests in 2016 and poetry protesting the proposed destruction of the Julimar Forest by mining companies.'

Source: Abstract.

1 Animalia Utopia i "Every creature ever. Every single one was there.", John Kinsella , 2024 single work poetry
— Appears in: Overland , Autumn no. 254 2024; (p. 40-42)
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