Cirrus@Austlit

'Something about Australia’s settler-colonial foundations is getting in the way of its future somehow. I write this, watching humpback whales jump and twist off the New South Wales south coast, swimming somewhere this side of the line where the continental shelf drops away to deep ocean. It is a 15-minute walk through the spotted gum forest to shell middens that date back to the last great rise in water levels, flanking a lagoon that carries its Djirringan name but whose surrounding lands were expropriated before 1900.' (Introduction)

'In 1978, Nelson Goodman explored the relation of "worlds" to language and literature, formulating the term, "worldmaking" to suggest that many other worlds can as plausibly exist as the "world" we know right now. We cannot catch or know "the world" as such: all we can catch are the world versions - descriptions, views or workings of the world - that are expressed in symbolic systems (words, music, dancing, visual representations). Over the twenty-five years since then, creative works have played a crucial role in realigning, reshaping and renegotiating our understandings of how worlds can be made and preserved in the face of globalizing trends.The volume is divided into three sections, each engaging with worlds as malleable constructs. Central to all of the contributions is the question: how can we understand the relationships between natural, political, cultural, fictional, literary, linguistic and virtual worlds, and why does this matter?' (Publication summary)