Cirrus@Austlit

'In this week’s ABR Podcast, Peter Rose reviews Hazzard and Harrower: The letters, edited by Brigitta Olubas and Susan Wyndham. The correspondence between writers Shirley Hazzard and Elizabeth Harrower ran from 1966 to 2008 and, in its unedited form, amounted to 400,000 words. Editors Susan Wyndham Brigitta Olubas have trimmed it down: ‘For the time being,’ says Peter Rose, ‘we must make do with this entertaining and not insubstantial entrée.’ Listen to Peter Rose’s ' (Introduction)

'‘Everyone allows that the talent of writing agreeable letters is peculiarly female.’ So said Jane Austen in Northanger Abbey. Even allowing for Regency hyperbole, there is some truth in the sally. We think of the inimitable letters of Emily Dickinson, who once wrote to a succinct correspondent: ‘It were dearer had you protracted it, but the Sparrow must not propound his crumb.’ In 2001, Gregory Kratzmann edited A Steady Stream of Correspondence: Selected Letters of Gwen Harwood, 1943-1995. Anyone who ever received a letter or postcard from Harwood – surely our finest letter writer – knows what an event that was. She was nonpareil: witty, astringent, frank, irrepressible. Now we have this welcome collection of letters written by Elizabeth Harrower and Shirley Hazzard (unalphabetised on the cover, in a possible concession to the expatriate Hazzard’s international fame).' (Introduction) 

'Welcome back to the ABR Podcast. We begin 2024 with the Peter Porter Poetry Prize. First presented in 2005, the Porter Prize is one of the world’s leading competitions for a new poem in English. It is worth a total of $10,000, of which the overall winner will receive $6,000. This episode of the ABR Podcast features the five shortlisted poets reading from their work, with introductions from ABR Editor Peter Rose. The winning poem will be announced at an online ceremony on 23 January 2024.' (Production summary)

'Shirley Hazzard is widely regarded as one of Australia’s finest novelists, even though she published only four novels during her long lifetime. Now, Professor Brigitta Olubas from the University of New South Wales has written the first major literary biography of the writer in Shirley Hazzard: A writing life (Virago/Farrar, Straus and Giroux). In this week’s ABR podcast, ABR Editor Peter Rose interviews Professor Olubas about her study of the ‘complex, alluring, peripatetic artist’. Listen to the interview here.' (Production summary)

'In this week’s Podcast we’re delighted to present the five poems shortlisted in the 2023 Peter Porter Poetry Prize. This happily alliterative prize was created in 2005 and renamed in 2011, the year after the great poet’s death. Peter Rose introduces our far-flung quintet, who then introduce and read their poems. Further details and illuminating comments on the individual poems by the judges can be found here. We hope you enjoy these wonderful poems. It’s a great way to get to know them before the prize ceremony on Thursday, 19 January.' (Introduction)

'This week we draw on ABR’s expanding digital archive and head back to December 2010, when ABR Editor Peter Rose wrote at length about E.M. Forster, author of novels such as Howards End and A Room with a View. In this podcast, Rose discusses Wendy Moffat’s biography of Forster, before roaming more widely to revisit those influential novels and dipping into the immense Forster literature – and the even more gargantuan literature of Bloomsbury, of which Forster was a peripheral and somewhat wary member.' (Introduction)

'This week’s episode of the ABR podcast is devoted to the Books of the Year. ABR Editor Peter Rose, critic and writer Beejay Silcox and historian Frank Bongiorno discuss the books that stirred them most in 2022. This follows a Books of the Year feature in the December issue of ABR, with contributions from thirty-six writers and critics. Listen to Peter Rose, Beejay Silcox and Frank Bongiorno discuss the best books of 2022.' (Introduction)

'Fifteen years ago, the new Rudd government announced the creation of the Prime Minister’s Literary Awards (PMLAs), to be administered by the Minister for the Arts. There were two prizes at the outset – fiction and non-fiction – each worth $100,000 – tax free to boot. Given the precarious incomes of most Australian writers, the prizes could not have been more welcome. Later, after some lobbying, young adult and children’s fiction were added, followed by poetry and Australian history. Sensibly, like other literary prizes, the PMLA organisers decided in 2011 to reward all the shortlisted authors, not just the winner.'  (Introduction)

'In our October issue ABR Editor and award-winning memoirist Peter Rose reviews Childhood, a remarkable new memoir by Adelaide critic and writer Shannon Burns in which Burns relates the story of a childhood and adolescence spent in great poverty and neglect. 

'In this week’s episode of the ABR Podcast, listen to Peter Rose and Shannon Burns in conversation.' (Publication summary)

'That the boy depicted in Shannon Burns’s nightmarish memoir survived to write it at the age of forty reflects no credit on society or on those around him. His persistence seems remarkable, given the world he entered.' (Introduction)