Cirrus@Austlit

'In this episode, something a little different, and a little bit special.

'Recorded live at the Athenaeum Theatre in Melbourne, author and literary columnist Jane Sullivan interviewed Mark Rubbo, legendary bookseller, past president of the Australian Booksellers Association, and founding chair of the Melbourne Writers Festival. Of course, Mark Rubbo is also chairman of Readings, formerly Managing Director.'  (Production summary)

'Inspired by real events and people, Murder in Punch Lane is a dark and gripping crime novel that maps the sins and secrets of nineteenth-century Melbourne.

'Melbourne, 1868.
When dazzling theatre star Marie St Denis dies in the arms of her best friend, fellow actress Lola Sanchez, everyone believes it was suicide by laudanum overdose. Everyone except Lola. On the brink of stardom herself, she risks everything by embarking on a quest to find Marie's killer.

'When journalist Magnus Scott, writing as 'the Walking Gentleman', publishes a compassionate obituary about her friend, Lola decides to seek his help. A fraught attraction develops between these two amateur detectives from opposite sides of society, and their volatile relationship soon begins to compromise their investigation.

'Lola keeps a secret from Magnus. She traverses the corrupt underbelly of the brash young metropolis just as he does, but disguised as a boy, entering dangerous, forbidden spaces where the lives of the rich and privileged intersect with the city's underclass and outsiders: bohemians, theatre folk, prostitutes, down-and-outs and opium addicts.

'Neither are prepared for the truths they will uncover about the powers that rule Melbourne – or the consequences for their own lives. And now they must race to find the murderer before the city destroys them both.' (Publication summary)

'First, a confession. I am one of a tiny minority of readers who were underwhelmed by Pip Williams’s first novel, The Dictionary of Lost Words (2020). I thought it a splendid idea, one undermined by facile messages about how women’s words were ignored by the men who recorded our language and its meanings. Clearly, I was in a minority: Dictionary became an international bestseller, one of the most successful Australian novels ever published. Friends raved about it. I wondered what I wasn’t getting.' (Introduction)

(Introduction)

'Here’s a story about a spy with a wooden leg, another spy who liked to sit around with his penis exposed, and a spy’s daughter who spent decades refusing to believe her father was dead. If this tale of an everyday family of secret agents were a novel or a Netflix drama, we’d laugh, frown, and admire it as a surreal fantasy. But it is real, the children are still alive, and their recollections are proof that truth is nuttier than fiction.' (Introduction)

'Writer and broadcaster Ramona Koval chats with literary journalist Jane Sullivan about her insightful new book, A Letter to Layla. This is a live recording of an online event hosted via Zoom during the Covid-19 crisis.'  (Production summary)

'Andrew O'Hagan chats with fellow author Jane Sullivan about his new novel, Mayflies. This is a live recording of an online event hosted via Zoom during the Covid-19 crisis.'  (Production summary)

'Art and Paris meant everything to Agnes Goodsir. ‘You must forgive my enthusiasm,’ she wrote. ‘Nothing else is of the smallest or faintest importance besides that.’ Goodsir was the Australian artist who painted the iconic portrait Girl with Cigarette, now in the Bendigo Art Gallery. It depicts a cool, sophisticated, free-spirited woman of the Parisian boulevards. When Goodsir created it, in 1925 or thereabouts, she had lived in Paris since the turn of the century. Apart from brief visits back to Australia, she stayed there until her death in 1939.' (Introduction)

'What was it exactly? Wonder, rapture delight, surprised recognition, laughter - but also darker feelings that made my heart beat fast and my stomach turn over, and sometimes a frantic urge to close the book before whatever it was sucked me in and destroyed me. But always, I read on. In Storytime, author and literary critic Jane Sullivan takes us from Wonderland to Narnia, Moomintroll to Mr Toad and from Winnie the Pooh to the Magic Pudding, to find out why her favourite childhood books were so vitally important, and how they shaped the woman she is today. This intimate, intense and emotional adventure down memory lane is much, much more than nostalgia. It is a surprising and sometimes disturbing voyage of self-discovery. As Jane relives old joys and faces old fears, she discovers that the books were not what she thought they were, and she was not the child she thought she was.'  (Publication summary)

'What is it that so fascinates us about lost children? Whether fact or fiction, their stories keep surfacing: Azaria Chamberlain, Jaidyn Leskie, the Beaumont children, or the schoolgirls Joan Lindsay dreamed up for her 1967 novel Picnic at Hanging Rock. Indeed, those girls have wafted through so many subsequent incarnations in books, a play, a film, and a television series that some people are convinced they were real and that the story of their disappearance is true.'  (Introduction)

'A stranger rides into a one-horse town on a shiny new motorbike. Cue Ennio Morricone music. Except it’s not a stranger, it’s that skinny dark girl Kerry Salter, back to say goodbye to her Pop before he falls off the perch. The first conversation she has is in the Bundjalung language (translated for our benefit) with three cheeky crows. One bites a dead snake in the head and its fangs get wedged onto the bird’s beak, fastening it shut. Chances are it’ll starve to death, thinks Kerry. ‘The eaters and the eaten of Durrongo, having it out at the crossroads.’'  (Introduction)