Stephanie Green Stephanie Green i(A30973 works by)
Born: Established: 1959
c
Papua New Guinea,
c
Pacific Region, ;
Gender: Female
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Works By

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1 Crane i "Beyond mechanical,", Stephanie Green , 2024 single work poetry
— Appears in: StylusLit , March no. 15 2024;
1 Every Gesture like Thought Bloodheat Stephanie Green , Rose Lucas , 2023 single work prose
— Appears in: The Writing Mind : Creative Writing Responses to Images of the Living Brain 2023;
1 Still Life Stephanie Green , 2023 single work prose
— Appears in: The Writing Mind : Creative Writing Responses to Images of the Living Brain 2023;
1 2 y separately published work icon Seams of Repair Stephanie Green , Tamborine : Calanthe Press , 2023 27388497 2023 selected work poetry

'“… an involving exploration of affection, solitude, travel and the tender intricacies of human connection … nuanced poems in which the fractures of experience are exquisitely sutured by words.”

– Paul Hetherington, Professor Emeritus, University of Canberra' (Publication summary)
1 From the Beginning Stephanie Green , 2023 single work review
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , October vol. 27 no. 2 2023;
— Review of Earlier Rosanna Licari , 2023 selected work novel 'Rosanna E. Licari’s new poetry collection, Earlier, explores the theme of origins and the experience of creation in this sensitively wrought evocation of the human and non-human world. While drawing on references to science and history to invoke palaeolithic perspectives, Earlier is about more than the evolutions of existence. It is also a deeply personal account of intimate memories: childhood mysteries, family losses, creature encounters, giving birth, and the strife of climate change. These are linked by subtle reflections on writing and the breaths taken between thought, hand and page in the making of a poem.' (Introduction)           
1 ‘All You See Is What You Feel’ Stephanie Green , 2023 single work prose
— Appears in: Queensland Review , vol. 30 no. 1 2023; (p. 118-125)

'This article explores themes of place, literature and friendship through an engagement with David Malouf’s novel Johhno. Set in Brisbane and Italy, the article takes the form of a creative non-fiction essay, in six sections. The narrator reflects on her wanderings, bent on renunciation of everything except writing, yet hoping for revelation or union. Whereas for Malouf’s characters, Dante and Johnno, Brisbane offers a canvas to hurl themselves against, the narrator of ‘All You See’ takes the city as a point of arrival and departure. She veers towards and away from family, friends and lovers, crossing cities and continents, eventually returning home, yet still at odds with what she knows and what she has lived.' (Publication abstract)
1 A Rendering of Threats : Stephanie Green Reviews ‘Critical State’ by B. R. Dionysius Stephanie Green , 2023 single work review
— Appears in: Rochford Street Review , vol. 37 no. 2 2023;
— Review of Critical State B. R. Dionysius , 2022 selected work poetry

'The poetry of B. R. Dionysius in Critical State holds continuity and rupture in tension as he explores the encroachments of the Anthropocene on distinctive Queensland regional environments. Focused around the poet’s nature observing adventures, the book is divided into five sections which reflect the diverse habitats of the state. These poems capture the beauty and terrible loss of wild creatures and places, and joyful glimpses of survival and recovery.' (Introduction)
1 A Line of Smoke i "A line of smoke above the chimney and an empty glass, unsteady at", Stephanie Green , 2023 single work poetry
— Appears in: Meniscus , vol. 11 no. 1 2023; (p. 69)
1 Redundant Things i "Redundant things have a way of sticking with us. The small metal film canister, silvered with", Stephanie Green , 2022 single work poetry
— Appears in: StylusLit , September no. 12 2022;
1 Wet Stephanie Green , 2021 single work prose
— Appears in: Meniscus , vol. 9 no. 2 2021; (p. 9)
1 Peach, Wine, Rain Stephanie Green , 2021 single work prose
— Appears in: Meniscus , vol. 9 no. 2 2021; (p. 8)
1 Stars i "Your stars are not the same as mine but sometimes I look up just the same. In the silver-iced north,", Stephanie Green , 2021 single work poetry
— Appears in: Axon : Creative Explorations , July vol. 11 no. 1 2021;
1 Holding it Together i "At the cusp between opening and closure,", Stephanie Green , 2021 single work poetry
— Appears in: Axon : Creative Explorations , July vol. 11 no. 1 2021;
1 An Unforgettable Dining Experience Stephanie Green , 2021 single work prose
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , April vol. 25 no. 1 2021;
1 Emblematic Spaces : Postcoloniality and the Region Stephanie Green , 2020 single work criticism
— Appears in: The Routledge Companion to Australian Literature 2020; (p. 324-332)
1 December i "The dry winds of early summer scatter dead leaves to my door.", Stephanie Green , 2020 single work poetry
— Appears in: The Anthology of Australian Prose Poetry 2020; (p. 86)
1 1 Screen/Mirror Stephanie Green , 2020 single work prose
— Appears in: TEXT Special Issue Website Series , April no. 58 2020;
1 Residue i "This season I’m more aware of the fallout.", Stephanie Green , 2020 single work poetry
— Appears in: Not Very Quiet , March no. 6 2020;
1 2 y separately published work icon Breathing in the Stormy Seasons Stephanie Green , Canberra : Recent Work Press , 2019 18577497 2019 selected work poetry

'These prose poems – I would like to call them ‘moments of poetry – recall journeys and intimacies, spaces of habitation, daily practices of denial, rescue affection or assertation. They reflect on negotiations between body and mind that can so fiercely mark the experience of womanhood, striving to capture the intermittent intensity of this ‘boundless resistance’ through the impact of summer and winter storms.'

Source: Afterword.
1 The Scent of Things : Travel and the Traces of the Past Stephanie Green , 2019 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 56 2019; 'Encounters with the historical and contemporary materiality of travel may occur objectively and/or imaginatively, as the traveller moves by air, land or water, passes streets, squares, buildings, enters rooms, museums, palaces, crosses bridges, mountains, canyons. Even other people can present as material entities, encapsulating the shock of difference, the flesh and odours of lived reality, the impossibility of possession. However prepared for a journey by reading, thinking, and research, in the end, for the writer as traveller, it is the act of travel while writing itself which becomes the heuristic enterprise, the experiment which leads to a solution, an understanding or a new question that may never be definitively solved. This discussion explores the representability of travel writing as material engagement and as a creative endeavour of scholarly inquiry. The presentation will take the form of a framed auto/narrative which follows a sequence of journeys undertaken by the author, in reverse order that speak to questions of authenticity and illusion across space and time.' (Publication abstract)
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