Cirrus@Austlit

'Michael Giffin announces his intention early in Patrick White and God, after describing White’s personal-cum-tribal relationship with the Anglican Church:

This book attempts to locate Patrick White’s fiction within a 200-year phase in western philosophy and aesthetics beginning with romanticism in the late 18th century. The attempt is ambitious because his fiction is a critique of western consciousness, in particular its understanding of reason; however, his critique looks like a metaphysics—and perhaps a metapsychology—now challenged by an unstable marriage of promethean science and intersectional politics. Because of this, his religious frame—which remained remarkably consistent during his career—is harder to recognize in the 21st century. (Introduction)