Cirrus@Austlit

'These are the last days of 1999. At St Peter’s Basilica in Rome, as the world waits for the new millennium, Lucy, a young Australian woman looks up at Michelangelo’s Pietà behind its pane of bullet-proof glass; a red kabbalah string circles her wrist. She has come with the mysterious parcel her recently deceased mother asked her to bring to the box marked POSTE VATICANE.

'But before Rome there is Saint-Cloud. Here, on the outskirts of Paris, Lucy works as an au pair for Jean-Claude and his wife Mathilde. When Mathilde leaves for Central Australia to research the Aboriginal artist Kumanjayi, Lucy’s circle of contacts becomes smaller and strangely intimate: Jean-Claude, the baby Felix for whom she cares, and the couple’s charismatic friend Sébastien, a marble restorer. Yet Lucy’s homesickness for Australia and its vastness haunts her world, surfacing in the memories of her mother, the Australian garden at Empress Joséphine’s Malmaison, and Mathilde’s letters from Alice Springs. 

'Lucy’s mother, Jude, who was a nun in the 1970s, once warned her daughter ‘to be careful what she wished for’. It is a caution that marks but rarely alters the choices these characters make. With lushness and tenderness, and revelation, Fitzgerald’s unforgettable novel Pietà exquisitely captures the glorious and imperfect relationships between parents and children, between art and life.'

Source : publisher's blurb

'Do I look strange?' These were his last recorded words. That night Sosimo kissed his hands and laid them across his breast, knitting his fingers together like flowers. The next morning the household watched his coffin, held aloft by a dozen brown hands, disappear into an ocean of leaves. Every now and then, at a turn of the mountain, it would emerge from the trees, bobbing higher and higher, floating free. This remarkable debut novel tells of the last days of Tusitala, 'the teller of tales', as Robert Louis Stevenson became known in Samoa where he chose to die. In 1892 Girolamo Nerli travels from Sydney by steamer to Apia, with the intention of capturing something of Jekyll and Hyde in his portrait of the famous author. Nerli's presence sets in train a disturbing sequence of events. More than a century later, art historian Lewis Wakefield comes to Samoa to research the painting of Tusitala's portrait by the long-forgotten Italian artist. On hiatus from his bipolar medication, Lewis is freed to confront the powerful reality of all the desires and demons that R. L. Stevenson couldn't control. Lewis's personal journey is shadowed by the story of the lovable Teuila, a so-called fa'afafine ('in the manner of a woman'), and the spirit of Stevenson's servant boy, Sosimo.' (Synopsis)