Shane McCauley Shane McCauley i(A20243 works by)
Born: Established: 1954 Surrey,
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England,
c
c
United Kingdom (UK),
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Western Europe, Europe,
;
Gender: Male
Arrived in Australia: 1959
Heritage: English
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Works By

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1 Delphi i "There is a god in the throat", Shane McCauley , 2024 single work poetry
— Appears in: The Mozzie , May vol. 31 no. 6 2024; (p. 2)
1 Haiku i "floating away down", Shane McCauley , 2024 single work poetry
— Appears in: The Mozzie , February vol. 31 no. 5 2024; (p. 11)
1 Senryu i "so hot we tle", Shane McCauley , 2024 single work poetry
— Appears in: The Mozzie , February vol. 31 no. 5 2024; (p. 11)
1 Hyperion's Fate-Song i "Look at you walking up there", Shane McCauley , 2023 single work poetry
— Appears in: The Mozzie , June vol. 30 no. 9 2023; (p. 15)
1 Disputing with the August Moon i "don't talk to me like that", Shane McCauley , 2023 single work poetry
— Appears in: The Mozzie , July vol. 31 no. 1 2023; (p. 13)
1 Seeing 'Jaws' in 1975 i "Was it The Grand, The Piccadilly?", Shane McCauley , 2023 single work poetry
— Appears in: The Mozzie , August vol. 31 no. 2 2023; (p. 13)
1 Ginger Cat on an Old Fence i "It sits in a suburb of dogs", Shane McCauley , 2023 single work poetry
— Appears in: The Mozzie , August vol. 31 no. 2 2023; (p. 2)
1 Ghosts i "The one sure proff of ghosts", Shane McCauley , 2023 single work poetry
— Appears in: The Mozzie , December vol. 31 no. 4 2023; (p. 6)
1 Wanting i "the grass being greener", Shane McCauley , 2023 poetry
— Appears in: The Mozzie , May vol. 30 no. 8 2023; (p. 6)
1 Contentment i "an otter cleaving", Shane McCauley , 2023 single work poetry
— Appears in: The Mozzie , January vol. 30 no. 6 2023; (p. 16)
1 Blues Haiku Shane McCauley , 2022 single work poetry
— Appears in: The Mozzie , December vol. 30 no. 5 2022; (p. 16)
1 Sonnet XIX i "The world, thunder-bloated cloud,", Shane McCauley , 2022 single work poetry
— Appears in: The Mozzie , October vol. 30 no. 4 2022; (p. 15)
1 Time on Our Hands i "Every now and then, so distantly,", Shane McCauley , 2021 single work poetry
— Appears in: Quadrant , November vol. 65 no. 11 2021; (p. 19)
1 The Multiplicity of Life : Shane McCauley Co-launches ‘Nocturnal House’ by Mike Greenacre Shane McCauley , 2020 single work essay
— Appears in: Rochford Street Review , November no. 30 2020;
1 Sky-Snooper i "and there it was", Shane McCauley , 2020 single work poetry
— Appears in: Polestar , no. 38 2020; (p. 24)
1 She Responds to Sonnet 130 i "Your eyes are hangdog moons, belonging", Shane McCauley , 2020 single work poetry
— Appears in: Polestar , no. 38 2020; (p. 23)
1 The Edge of Questions and Dilemmas : Shane McCauley Launches ‘Argot’ by Christopher Konrad Shane McCauley , 2019 single work column
— Appears in: Rochford Street Review , no. 26 2019;

— Review of Argot Chris Konrad , 2016 selected work poetry

'It was a great pleasure and honour to be invited to launch Christopher Konrad’s new book of poetry, Argot. Argot is the third major publication by Chris in the past five years, since his Sunline collection I Read My Ancestors(published in Sandfire, 2012, with collections by Flora Smith and Rose van Son) and Letters to Mark (published by Regime in 2014). This latter was the creative component of his PhD from Edith Cowan university, an uncategorisable and fascinating amalgam of poetry, philosophy, theology and fiction. He has also published in many journals and received awards such as the prestigious Tom Collins Poetry Prize. In short, he has been creatively energetic across several genres, and is certainly one of the most intellectually engaging and exciting writers currently at work in Australia.' (Introduction)

1 Remembering The Waterfall Shane McCauley , 2018 single work poetry
— Appears in: Poetry D'amour 2018 2018;
1 Flowers at Midnight i "how cold the flowers must get", Shane McCauley , 2017 single work poetry
— Appears in: The Mozzie , April May vol. 25 no. 3 2017; (p. 8)
1 Gion Shimu in Show (Hiroshige) i "As if on stage the ladies", Shane McCauley , 2017 single work poetry
— Appears in: Westerly , vol. 62 no. 2 2017; (p. 168)
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