Cirrus@Austlit

'When the sex in Vivien Quarry’s thirty-two-year marriage dwindles to nothing, her husband Geoff finally gives her a reason: ‘Men are hardwired to not find older women attractive’.

'This unforgivable statement, uttered by a man long past his Adonis years, prompts Vivien to take drastic action. At sixty-seven, she most definitely doesn’t feel ‘past it’, and so enlists the services of the enigmatic Martin Glover from The Discretion Agency. 

'Under the sardonic eye of her oldest friend Jules, a world-famous operatic soprano facing the closing years of a brilliant career, Viv embarks on a series of wildly unpredictable, and sometimes hilariously cringeworthy dates – with wholly unexpected consequences.

'Told with great humour and heart, the accomplished Virginia Duigan delivers a provocative and profoundly relatable story that proves living is not reserved for the young.'

Source: Publisher's blurb.

'Thea Farmer, a reclusive and difficult retired school principal, lives in isolation with her dog in the Blue Mountains. Her distinguished career ended under a cloud over a decade earlier, following a scandal involving a much younger male teacher. After losing her savings in the financial crash, she is forced to sell the dream house she had built for her old age and live on in her dilapidated cottage opposite.

'Initially resentful and hostile towards Frank and Ellice, the young couple who buy the new house, Thea develops a flirtatious friendship with Frank, and then a grudging affinity with his twelve-year-old niece, Kim, who lives with them. Although she has never much liked children, Thea discovers a gradual and wholly unexpected bond with the half-Vietnamese Kim, a solitary, bookish child from a troubled background.

'Her growing sympathy with Kim propels Thea into a psychological minefield. Finding Frank's behaviour increasingly irresponsible, she becomes convinced that all is not well in the house. Unsettling suspicions, which may or may not be irrational, begin to dominate her life, and build towards a catastrophic climax.' (From the publisher's website.)

'Greer Gordon lives in Italy with Mischa Svoboda, a driven Czech-born painter with a booming international reputation. She and Mischa met in the 1970s, when his debut show at the small Melbourne art gallery where Greer then worked created a sensation. He was unknown at the time, a recently arrived refugee from Prague. Their explosive love affair caused Greer to abandon her husband, job and autocratic boss Verity, sever all contact with home and embark on a nomadic life with Mischa.

'Twenty-five years later, Tony, a young American art critic, has been researching a biography of Mischa and arrives in the small Italian hilltop community where they now live. Greer is consumed by anxiety, fearing 'the biographer' may have unearthed something that happened as a consequence of her meeting Mischa, a buried secret she had intended to write out of her life story. Greer and Tony play out a gripping cat-and-mouse game in which she tries to glean who he has spoken to and what, if anything, he knows, while he lets drop, with calculated casualness, graded snippets of information designed to keep her guessing.

'It becomes clear that Tony is manipulating a dramatic outcome for the purposes of his story. It will be an investigative read in which the reader discovers the facts as the biographer-detective unravels them. The biographer intends to make his name with this book.

'As her hand is forced, Greer embarks on a tense journey of her own. In revisiting the past from the perspective of the present, through Tony's artful interrogations and her own diary, she is compelled to put her youthful self on trial. In the process she makes a life-changing discovery.' (Publisher's blurb)

An unfaithful playwright takes his new leading man up on an offer: the leading man will seduce the playwright's wife, leaving the playwright free to pursue his passionate affair with his devoted leading actress. At first, the solution seems ideal, but the playwright soon becomes jealous of the leading man's success, not only in seducing the playwright's wife, but also in charming his castmates.

A sequel to A Taste for Blue Ribbons (1973), this children's period drama tells the story of the Byrne family (who run a horseriding school outside Melbourne) and the young daughter seeking to make the Olympic equestrian team.