Cirrus@Austlit

The Fortunes of Richard Mahony was 'first published as a sequence. Australia Felix, the first volume, which covers twelve years of Richard Mahony’s life from the early 1850s, was published in 1917; The Way Home, which deals with his subsequent eight years, appeared in 1925; and Ultima Thule, the final volume covering his last four years, in 1929. The novel was first published as a trilogy in 1930.'

Australia Felix 'begins the story of Richard Mahony, a 28-year-old medical graduate of Edinburgh University and now the keeper of a general store in Ballarat'. Part one of the novel 'follows Mahony’s career until his marriage; the second part deals with the Eureka Stockade, the growth of the varied society of Ballarat and legal hearing in Melbourne'. It 'concludes with Mahony’s decision to start a practice in Ballarat instead of returning to England'. In parts three and four, 'Richardson extends her panoramic picture of a dynamic colonial society in which individuals are subject to great reversals or advances of fortune'.

The Way Home begins with Mahony’s 'arrival in England and concludes with his final, second return to Australia, as a ruined man. In the intervening years he grows disillusioned with English society, returns to Australia to find his investments have made him suddenly rich, attempts to settle into the wealthy community of Melbourne and becomes the father of three children'. His sojourn in England leads to the discovery that he is uncomfortable with the ‘offensive and cramping’ English social hierarchy.

Ultima Thule picks up the story with Mahony’s 'return to Australia, his attempts to establish himself as a medical practitioner, first in Melbourne and then at Barambogie, a small town in northern Victoria'. When Mahony’s skills as a doctor as increasingly questioned, the family moves to the coast and later to Gymgurra where Mahony’s wife, Mary, 'secures a position as postmistress'. Mahony is moved to a private nursing home, then to a government asylum and finally returns home. He is 'devotedly cared by Mary, until paralysis incapacitates his body. After his death he is buried in the local cemetery, within sound of the sea'.

Source: The Oxford Companion to Australian Literature. 2nd. ed. Melbourne: Oxford University Press, 1994: 294-295.

'He had never got within measurable distance of what he called life, at all…deep down in him, he knew, was an enormous residue of vitality…It was like a buried treasure, jealously kept for the event of his one day catching up with life: not the bare scramble for a living that here went by that name, but Life with a capital L.

'Richard Mahony is a restless man. Ballarat, England, Melbourne, Europe, the bush: elsewhere is always better.

'Searching for a place, a meaning, a life, Mahony and his wife Mary journey from wealth to poverty, order to chaos, sanity to the asylum. The Fortunes of Richard Mahony is a towering novel.' (Publication summary)

'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)

'A passionate and controversial novel set in turn-of-the-century Europe

'Henry Handel Richardson’s debut, published in London in 1908, is set in the music scene of Leipzig, a cosmopolitan centre for the arts drawing students from around the world—among them Maurice Guest, a young Englishman, who falls helplessly in love with an Australian woman, Louise Dufrayer. Maurice Guest is the story of this overwhelming passion.

'The novel was deemed too controversial to be published as Richardson intended, and she was forced to cut twenty thousand words from the original manuscript and tone down its language.' (Publication summary)

Explores HHR's inclination to use (often male) pseudonyms as a way to hide her true cultural and sexual identity, to create a space between her private person and the public literary property or 'author', and the implications of this scheme which sometimes led to bizarre episodes of readerly mystification.