Cirrus@Austlit

'Mayo Street is a whodunnit that takes a deep dive into suburban life in contemporary Australia, where things aren’t always how they seem

'Mayo Street. It’s a very desirable address. And it seems to promise the perfect suburban dream. Until three of the street’s residents die.

'Behind its respectable facades lie some terrible secrets, and in the course of one autumn many of them are shockingly exposed. Relationships come under pressure that not all of them can survive.

'Enter a couple of unlikely sleuths – a teenage girl and a septuagenarian woman. Like their neighbours, both have plenty of problems of their own – growing up and growing old are tough enough without having a killer in your street.

'Mayo Street takes a deep dive into suburban life in contemporary Australia, where things aren’t always what they seem.' (Publication summary)

'They shared a name, of course, and their physical resemblance was startling. And both Frank Thrings were huge figures in the landscape of twentieth-century Australian theatre and film.

'But in many ways they could hardly have been more different. Frank Thring the father (1882-1936) began his career as a sideshow conjuror, and he wheeled, dealed and occasionally married his way into becoming the legendary "F.T." — impresario, speculator and owner of Efftee Films, Australia's first 'talkies' studio. He built for himself an image of grand patriarchal respectability, a sizeable fortune, and all the makings of a dynasty.

'Frank Thring the son (1926-1994) squandered the fortune and derailed the dynasty in the course of creating his own persona — a unique presence that could make most stages and foyers seem small. He won fame playing tyrants in togas in Hollywood blockbusters, then, suddenly, came home to Melbourne to play perhaps his finest role — that of Frank Thring, actor and personality extraordinaire. Central to this role was that Frank the son was unapologetically and outrageously gay.

'Peter Fitzpatrick's compelling dual biography tells the story of two remarkable characters. It's a kind of detective story, following the lives of two men who did all they could to cover their tracks, and to conceal "the self": Frank the father used secrecy and sleight-of-hand as strategies for self-protection; Frank the son masked a thoroughly reclusive personality with flamboyant self-parody. It's also the tale of a lost relationship — and of the power a father may have had, even over a son who hardly knew him.' (From the publisher's website.)

'This is a dual biography, the story of Louis Esson, the distinguished playwright who has been called 'the father of Australian drama', and his wife Hilda, who did her own pioneering in the theatre and in public health. The plays they wrote and performed reflected the drama of their lives: creative angst, intellectual conflict, untimely death, romantic entanglement, jealousy and despair. Yet Peter Fitzpatrick's book is more than a good read.

'As a critical appraisal of Louis Esson's plays and an exploration of the relationships the Essons had with well-known literary and theatrical figures in Australia and overseas, the book is an exploration of a developing Australian culture and identity. It is also about the dynamics of a marriage between two brilliant people, reflecting not only the patterns of gender relationships in their own time, but universal passions and strategies.' (Publication summary)