Cirrus@Austlit

'Juno Gemes is a renowned photographer/writer and she has been a Co-Director of Paper Bark Press with Robert Adamson. She is currently working on a major publication  Something Personal: Chronicles  from The Movement 1975-2021 to be published in 2021.' (Introduction)

'The plight of art schools in Australia in recent decades is hardly breaking news. Shrinking budgets, staff cuts, amalgamations and reduced course offerings have plagued most of them.' (Introduction)

'The caption on the poster for this film reads:

If there’s no meaning to life, then you might as well make it extraordinary. Whiteley in the iconic artist’s own words.

Brett Whiteley (1939-1992) was certainly the most public and media-celebrated Australian artist of the 20th century. Following in the footsteps of an authoritative biography on the artist by Ashleigh Wilson in 2016 comes this new feature-length film. While it is advertised as being in the artist’s own words, the director James Bogle skilfully blends rare documentary footage with actors playing the role of Whiteley as a child (Jack Barns), as a youth (Campbell Greenock) and as an adult (Andy Blaikie).' (Introduction)

'Samuel Thomas Gill, or STG as he was universally known, was Australia’s most significant and popular artist of the mid-nineteenth century. For his contemporaries he epitomised ‘Marvellous Melbourne’ basking in the glow of the gold rushes. He worked in South Australia, Victoria and New South Wales and left some of the most memorable images of urban and rural life in colonial Australia. A passionate defender of Indigenous Australians and of the environment, Gill in his art celebrated the emerging quintessential Australian character. This is the first major comprehensive book to be devoted to Gill and presents a radical reassessment of one of the most important figures in Australian colonial art and reproduces, in some instances for the first time, some of the most startling images from nineteenth-century Australian art.

'There will be an exhibition of S.T. Gill’s work at the State Library of Victoria in July 2015 and at the National Library of Australia in June 2016, plus smaller shows in regional Victorian galleries.' (Publication summary)