'An aging man ambles down a dirt road, walking slowly away from the camera. He seems to be alone, until we realise he’s stalking an emu, which crosses to the other side of the track. He stops and turns to look at the camera, looks back to the emu, and begins walking towards us. The emu cautiously follows, and the pair walk up the hill in lockstep. This extraordinary cinematic moment provides an apt symbolic opening for Molly Reynolds’ documentary portrait of one of Australia’s finest actors, David Gulpilil. Its power, however, is immediately undercut by the subsequent image of the same man hooked up to medical equipment, receiving treatment for his now various ailments.' (Introduction)
