Cirrus@Austlit

'Chloe Wilson is the author of two books of poetry, The Mermaid Problem and Not Fox Nor Axe. The latter was shortlisted for the Kenneth Slessor Prize for Poetry in 2015 and the Judith Wright Calanthe Award in 2016. Hold Your Fire is her first collection of short fiction, and it is an assured and original debut. Bringing together a series of flash-fictions with several longer narratives, it showcases a sharp-eyed intelligence and a finely-tuned ear for rhythm and tone.'  (Introduction)

'In 2016 Charlotte Wood took up a position as Writer in Residence at the University of Sydney’s Charles Perkins Centre, as part of a multidisciplinary initiative to explore ‘the complex issue of aging’. The product of that residence is The Weekend, Wood’s sixth novel, and it comes highly anticipated on the heels of her 2016 Stella Prize-winner The Natural Way of Things.' (Introduction)

'The Everlasting Sunday is the first novel from Robert Lukins, a Melbourne writer with a background in journalism, and it’s an entirely distinctive debut: rich with atmosphere, beguiling in its blend of lyricism and quiet menace. Lukins has pointed to a year spent working as a village postman in Shropshire as his inspiration for the rural English setting, here cast in the stark monochrome of an unusually harsh winter. By contrast, the stories collected in Moreno Giovannoni’s Fireflies of Autumn: And Other Tales of San Ginese take place in the hills of Tuscany – a world coloured by turns in scorching sun and unrelenting fog. Giovannoni was born in San Ginese but grew up in rural Victoria, and has worked for many years as a freelance translator. The manuscript of Fireflies of Autumn was the first winner of the Deborah Z. Cass prize for writing by Australian writers from migrant backgrounds. The authors share a lyrical sensibility and a finely-tuned sense of how the fantastical and the mundane, the hopeful and the brutal, are woven together in the stories which define our communities.'  (Publication summary)

'Anthony Uhlmann has long been interested in the philosophical function of literature – not only its capacity to contain philosophical discussion, but the formal unfolding of the literary work itself as a philosophical act. St Antony in His Desert, Uhlmann’s first foray into fiction, is an unapologetically cerebral book, incorporating a key debate in the early twentieth-century clash between philosophy and physics.  The tripartite structure of the novel is prefaced by an editor’s foreword, penned by one ‘Anthony Uhlmann’ of Western Sydney University, which is where the author teaches. He has been sent an unfinished typescript – an account of philosopher Henri Bergson’s historic encounter with Albert Einstein – on the verso of which an apparently fictional story is written. The author of these two narratives, we are told, is a priest named Antony Elm, whose brief interjections are also inscribed here and there on the palimpsestic text. The package has been sent to our editor by a nurse working at a hospital in the Northern Territory, to which the priest, perhaps defrocked or disgraced, was taken following his failed attempt at a monastic retreat into the desert. Of Elm the author, we know little more than this. From the opening pages of St Antony – as we parse the editor’s foreword and orient our reading to the multilayered text described – it is clear that the novel’s philosophical preoccupations will inhere as much in its form as in its content.' (Introduction)

'In the Garden of the Fugitives is Ceridwen Dovey’s second novel, and her third book-length publication. Her debut Blood Kin was published in 2007, followed in 2014 by the short story collection Only the Animals. These three very different works, each with their layers of interwoven stories, voices now in concert, now in conflict, attest to the originality of Dovey’s conceptually complex writing.' (Introduction)

'Sofie Laguna was a successful writer of children’s and YA fiction before publishing her first novel for adults, One Foot Wrong, in 2008. Readers of that startling debut, or of her 2015 Miles Franklin Award winner The Eye of the Sheep, will find many familiar themes in her latest novel The Choke. Each is concerned with the struggle of a vulnerable child to define and to protect him- or herself in a grown-up world; each an astute, affecting exploration of the particular pressures that parental neglect and violence place on the children who observe and absorb it. Laguna’s subject matter is often confronting, the families she depicts beset by discord or economic hardship, her young protagonists forced to fend for themselves in harrowing circumstances. Yet while she takes her readers into what is very dark territory, exploring the effects of serious trauma and abuse, her novels are not bleak. The strength of her young narrators, their resilience and imagination, allows her to retain a crucial element of hope – even the promise of redemption – in the face of enormous suffering.' (Introduction)