Stephanie Guest Stephanie Guest i(A145198 works by)
Gender: Female
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Works By

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1 Barbecued Sunrise Stephanie Guest , 2018 single work criticism
— Appears in: JASAL , vol. 3 no. 18 2018;

'This essay argues for an expanded definition of the category of ‘Australian Literature’ by analysing work at its fringes: experimental literary translation by Australian, English-language, writers. While considerable attention has been given to translation as a mode of literary circulation and as a metaphor for an ethics of cross-cultural exchange, there has been little work done by proponents of World Literature on the linguistic problem of what happens in translation. By contrast, this essay develops a mode of close reading, via theories of transnationalism and translation, applied to two playful translations of Stéphane Mallarmé’s ‘Un coup de dés jamais n’abolira le hasard’ (1895) by Christopher Brennan (1897) and Chris Edwards (2005).' (Publication abstract)
1 An Architecture of Early Motherhood and Independence Stephanie Guest , Kate Riggs , 2017 single work prose
— Appears in: The Lifted Brow , September vol. 35 no. 2017; (p. 97-106)
1 Stephanie Guest Replies: Stephanie Guest , 2012 single work correspondence
— Appears in: Australian Book Review , March no. 339 2012; (p. 2-3) Stephanie Guest follows up her article on the dearth of Australian Literature teaching at the University of Melbourne with an enhancement of her argument. Guest quotes Vincent Buckley's 1959 criticism 'Towards an Australian Literature' in arguing for a distinct 'critical engagement with ... Australian writing'.
1 2 Oz Lit in the Moot Court Room Stephanie Guest , 2012 single work column
— Appears in: Australian Book Review , February no. 338 2012; (p. 36-37) On finding that no course in Australian Literaure was available at the University of Melbourne in 2011, Stephanie Guest set up her own unofficial course. Guest lecturers included Helen Garner, Kevin Hart, Elliot Perlman, Kevin Brophy, Peter Rose and Kim Scott.
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